This month, New York’s New Museum triumphantly reopens its doors following a two-year closure, showcasing a transformative $82 million expansion that doubles its gallery space. The grand reopening is marked by the inaugural exhibition, “New Humans: Memories of the Future,” which features over 700 works that explore the intricate relationship between humanity and technology.
A Daring Architectural Leap
Perched on the bustling Bowery in Manhattan, the New Museum’s striking new addition, designed by the renowned architect Rem Koolhaas and his partner Shohei Shigematsu, introduces a contemporary aesthetic that harmonises with the building’s original structure. The expansion, which adds approximately 60,000 square feet to the museum’s footprint, is a visual dialogue between the old and the new—one that Shigematsu describes as a romantic pursuit, emphasising the challenge of finding the perfect architectural match.
The newly constructed seven-storey section offers three additional levels of gallery space, facilitating a seamless flow of exhibitions and allowing the museum to remain operational during installations. At the heart of this architectural marvel lies a public atrium, featuring a striking installation by Czech artist Klára Hosnedlová, which serves as a captivating welcome to visitors.
A Curatorial Vision for the Future
Lisa Phillips, the museum’s director since 1999, has been a driving force behind its evolution, from its humble beginnings in Soho to its current status as a cultural beacon on the Bowery. As she prepares to depart after nearly three decades of service, the museum’s reopening is a fitting culmination of her efforts, both in expanding its global reach and solidifying its place in the contemporary art landscape.

The flagship exhibition, “New Humans: Memories of the Future,” is a sweeping survey that spans art, technology, and visual culture. It features works by contemporary luminaries such as Camille Henrot, Wangechi Mutu, and Ryan Gander, alongside a selection of historical pieces that underscore the enduring dialogue between humanity and innovation. Phillips aptly notes the ambitious nature of the exhibition, suggesting it signals the onset of a new era that is as pivotal as the Industrial Revolution.
The Intersection of Art and Technology
Artistic director Massimiliano Gioni emphasises the exhibition’s thematic depth, which weaves together historical references, including the Renaissance concept of the “homunculus,” with contemporary notions of artificial intelligence. Gioni’s vision is not merely a display of artistic prowess; it is a thoughtful exploration of our evolving relationship with technology. Notably, the exhibition features wall text generated by AI, inviting contemplation about the implications of machine-generated narratives in our understanding of art.
Among the striking installations are Anicka Yi’s helium-filled “aerobes” that float gracefully through the gallery, inviting visitors to engage with their fragility. These ethereal sculptures, first exhibited at Tate Modern, are now presented in a more intimate setting, allowing for a closer examination of their delicate interactions with space and viewers alike.
A Culinary Experience to Complement the Art
In a nod to the holistic experience the New Museum aims to provide, the expansion also introduces its first full-service restaurant, designed by OMA. This new dining venue, operated by the Oberon Group and led by artist and chef Julia Sherman, promises to merge art and gastronomy in an innovative way. Sherman’s culinary philosophy reflects an intuitive approach to ingredients, aiming to create a dining experience that resonates with the artistic vision of the museum.

The restaurant, with its second public entrance, aims to be a space where art and food intertwine, fostering a dialogue that enriches the visitor experience.
Why it Matters
The New Museum’s ambitious expansion and the launch of “New Humans: Memories of the Future” represent a significant step in the evolution of contemporary art institutions. By embracing the intersection of technology and creativity, the museum not only showcases the latest in artistic innovation but also invites critical discourse on the pressing issues of our time. As we stand on the precipice of a new technological era, the museum’s offerings serve as a vital reminder of the complexities and responsibilities that accompany our ever-evolving relationship with the world around us.