Exploring Chinamaxxing: When Cultural Appreciation Meets TikTok Trends

Catherine Bell, Features Editor
6 Min Read
⏱️ 5 min read

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As the digital landscape continues to evolve, so too do the ways in which cultural identities are expressed online. The phenomenon of Chinamaxxing, which gained traction in mid-2025, sees a surge of individuals embracing aspects of Chinese culture, often in the most unexpected and light-hearted ways. From sipping hot water to wearing traditional slippers, this trend has stirred conversations about cultural identity, appropriation, and the complexities of representation in a globalised world.

The Rise of Chinamaxxing

Chinamaxxing reflects an intriguing blend of rebellion and whimsy, as content creators across TikTok and Instagram showcase their newfound “Chinese” lifestyles. This trend, which has garnered hundreds of thousands of views, invites users to adopt behaviours typically associated with Chinese culture, regardless of their actual heritage. British fashion entrepreneur Michelle She captures the essence of this trend succinctly: “People are trying to be more Chinese regardless of what their heritage is.”

Though it may seem trivial to condense an ancient culture into bite-sized social media clips, Jamie Cohen, an associate professor of media studies at Queens College in New York, argues that these digital expressions arise from significant cultural shifts. Disillusionment with the West, a growing obsession with wellness, and the historical exoticisation of Eastern cultures have all paved the way for this trend to flourish, even beyond the confines of the Great Firewall.

Cultural Reflections and Reactions

For many from the Chinese diaspora, the advent of Chinamaxxing evokes mixed emotions. Conversations with individuals across North America and Australia reveal a common sentiment—jarring. Jenny Lau, a British author and cultural commentator, raises concerns about non-Chinese influencers offering advice on Lunar New Year celebrations, a tradition deeply rooted in heritage. “It feels unsettling,” she explains, as it appears to challenge the identity of those living within the diaspora.

Vanessa Li, a Sydney-based creator, echoes this sentiment, questioning the authenticity behind non-Chinese creators sharing tips on cultural practices they may not have experienced. “When something becomes a trend, it becomes disposable,” she warns, pondering whether genuine appreciation for Chinese culture will endure once the algorithm shifts focus.

The backdrop of rising xenophobia during the COVID-19 pandemic adds another layer of complexity to the conversation. Many in the diaspora recall a time when their heritage was a source of shame rather than celebration, making the sudden enthusiasm for Chinese culture seem disingenuous. Claire, a Canadian content creator, points out the irony of these cultural elements being embraced only after years of ridicule.

The Fine Line Between Appreciation and Appropriation

Concerns about cultural appropriation loom large within discussions of Chinamaxxing. Content creator Sherry Zhu, who has become a prominent figure in the trend, raises alarms about non-Chinese influencers simplifying centuries of traditional practices into mere wellness fads. “It comes from China… it’s not coming from somewhere else,” she asserts, urging recognition of the rich cultural context behind these practices.

Lau observes that the phenomenon of Chinamaxxing is not unprecedented; rather, it is a continuation of a long history of the “Oriental Other” being commodified in Western culture. “Chinamaxxing is Orientalism by any other name,” she says, highlighting the ongoing struggle between genuine appreciation and the risks of cultural trivialisation.

A Generational Shift in Perspective

Interestingly, generational differences shape how Chinamaxxing is perceived within the diaspora. While millennials like Lau approach the trend with caution, younger voices, such as Zhu and Claire, exhibit a more open-minded attitude towards cultural discussions. Cohen notes that Gen Z appears to favour Chinamaxxing over other forms of cultural appropriation, viewing it as a means to engage with and celebrate culture rather than mock it.

For Claire, this shift represents a welcome change in online attitudes. “This is one of those rare times where it’s not that they’re laughing at us, but it’s almost like we’re laughing together,” she reflects. Yet, the question remains: is the trend merely a fleeting joke at the expense of Chinese culture? Claire is cautiously optimistic, willing to believe that people’s engagement stems from a genuine interest in her culture.

As the trend begins to wane, with many predicting its decline with the shift to platforms like Instagram, some creators express hope that this moment will spark a more profound and lasting curiosity about Chinese culture. She reports an uptick in requests for trips to China, suggesting that the trend may have ignited a genuine interest in cultural exploration beyond social media.

Why it Matters

Chinamaxxing serves as a mirror reflecting the complexities of cultural identity in our interconnected world. While it raises critical questions about appropriation and authenticity, it also highlights a burgeoning interest in cultural appreciation among younger generations. This trend, albeit jarring for some, may pave the way for more meaningful conversations about heritage and identity, encouraging a deeper understanding of the nuances that come with celebrating diverse cultures. As we navigate this new digital age, it is imperative to strike a balance between playful engagement and respectful recognition of the rich histories and traditions that shape our identities.

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Catherine Bell is a versatile features editor with expertise in long-form journalism and investigative storytelling. She previously spent eight years at The Sunday Times Magazine, where she commissioned and edited award-winning pieces on social issues and human interest stories. Her own writing has earned recognition from the British Journalism Awards.
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