In an impassioned call to action, Misan Harriman, the chair of the Southbank Centre and an acclaimed photographer, has urged artists to engage deeply with the socio-political landscape of our times. Emphasising the distinction between mere entertainment and genuine artistry, Harriman believes that creativity should serve as a vessel for change, particularly in light of ongoing crises such as the conflict in Gaza.
Art as a Reflection of Our Times
Harriman, celebrated for capturing pivotal moments in history including civil rights protests, is currently participating in the Choose Love’s Together For Palestine auction. This initiative, which features contributions from artists like Grayson Perry and Es Devlin, aims to raise funds for humanitarian organisations providing vital aid in Palestine amid the ongoing turmoil. He insists that artists possess the duty—and the opportunity—to reflect the challenges and realities we face, stating, “You can either be an artist or an entertainer. I have no interest in entertaining.”
His contribution to the auction, titled *Brothers in Protest*, encapsulates this ethos. The photograph, depicting a Muslim man and a Jewish man united in their call for peace on the London embankment, has been described by Harriman as “one of the most important images” he has ever created. It serves as a poignant reminder of the shared humanity that can transcend cultural and religious divides.
The Power of Artistic Expression
Harriman’s philosophy is rooted in the belief that art should nourish the soul and foster understanding, rather than simply entertain. He critiques the current media landscape, which he argues often amplifies anger and division. “So much of the discourse in our press is about keeping us on islands of rage,” he noted, highlighting the need for artists to counteract this narrative. His work aims to create spaces for empathy and connection, especially crucial in a world increasingly dominated by polarising online discourse.
The photographer’s commitment to using his platform for social good echoes the sentiment expressed by Nina Simone, who famously asserted that artists must reflect the times they inhabit. Harriman passionately reiterates this point: “To be an artist is to reflect the times that we’re living through.”
Mobilising Creative Tools for Change
In today’s socio-political climate, Harriman believes that everyone—artists and non-artists alike—has a role to play in building community and fostering dialogue. “Not all of us have world leaders on speed dial, but we do have the ability to do what we can with the tools that we have access to,” he remarked. Whether through photography, painting, or even simple conversations, he encourages individuals to utilise their unique capabilities to effect change.
His views stand in stark contrast to those expressed by Wim Wenders, president of the Berlin Film Festival jury, who recently suggested filmmakers should remain apolitical. Harriman vehemently disagrees, arguing that art is inherently political. He recalls how formative works like *The Sound of Music* introduced him to the realities of fascism, demonstrating that even seemingly light-hearted narratives can carry profound political weight.
Engaging with the World Through Art
The forthcoming Together For Palestine Fine Art Auction, running from 27 March to 9 April, will showcase an exhibition at HOPE93 Gallery in London. Harriman’s participation in this initiative reflects his dedication to using art as a means of advocacy and support for those affected by conflict.
By urging artists to step beyond the confines of entertainment, Harriman advocates for a transformative approach to creativity—one that seeks to engage, challenge, and ultimately heal.
Why it Matters
Misan Harriman’s clarion call for artists to engage with pressing political issues is not just timely; it is essential. In an age marked by division and conflict, the role of art as a catalyst for understanding and empathy becomes ever more crucial. Harriman’s work and words serve as a reminder that creativity can be a powerful tool for social change. As we navigate the complexities of modern life, embracing this ethos could inspire a new generation of artists to use their platforms for advocacy, thereby contributing to a more compassionate and interconnected world.
