Artists Must Embrace Political Responsibility, Says Misan Harriman

Zoe Martinez, Arts Correspondent
5 Min Read
⏱️ 4 min read

In a powerful call to action, Misan Harriman, chair of the Southbank Centre and acclaimed photographer, has urged artists to engage with the pressing political issues of our time. Speaking ahead of the Choose Love’s Together For Palestine auction, Harriman emphasised that art should transcend mere entertainment, serving instead as a vital tool for connection and advocacy in an increasingly fragmented world.

The Role of Art in Political Discourse

Harriman, renowned for his evocative images capturing pivotal moments in civil rights history, believes that artists possess a unique responsibility to reflect societal challenges through their work. “You can either be an artist or an entertainer,” he asserts, expressing his disinterest in the latter. His comments come at a time when the global landscape is marred by conflict, particularly the ongoing humanitarian crisis in Gaza. The auction, which features contributions from prominent figures like Grayson Perry and Es Devlin, aims to raise funds for organisations providing essential relief to those affected.

The photographer’s commitment to activism is evident in his submission to the auction, titled *Brothers in Protest*. This poignant piece depicts a Muslim man and a Jewish man standing side by side on the London embankment, united in their call for peace. Harriman describes this image as “one of the most important” he has ever captured, highlighting the emotional resonance it has evoked within both communities.

Embracing Humanity in Art

As the digital age amplifies voices of division and hostility, Harriman advocates for a return to the “original human algorithm” of engaging with art in physical spaces. He critiques social media platforms, particularly X (formerly Twitter), for fostering an environment rife with anger and negativity. “It can be very damaging to one’s mental health,” he warns, contrasting this with the introspective experience of viewing art in a gallery.

“Nina Simone said that to be an artist is to reflect the times we’re living through,” Harriman continues, reiterating the importance of using one’s platform to bridge divides. He encourages both artists and the general public to leverage their unique skills, whether it’s through visual art, conversation, or even exiting toxic environments, to foster community and understanding.

A Response to Dismissals of Political Engagement

Harriman’s views stand in stark contrast to those expressed earlier this year by Wim Wenders, president of the Berlin Film Festival jury, who suggested that filmmakers should avoid political commentary. Harriman finds this perspective perplexing, stating, “That’s an oxymoronic statement.” He recalls how even seemingly benign films, like *The Sound of Music*, contain deeply political narratives that can shape public consciousness.

In a world grappling with multiple crises, Harriman asserts that silence is not an option for artists who wish to be recognised for their contributions. “Do not choose to be recognised for having any kind of art that is political if you’re not willing to speak about it,” he warns, reinforcing the urgency of the current moment.

A Call for Collective Action

The Together For Palestine auction, running from 27 March to 9 April, presents a crucial opportunity for artists and art lovers alike to contribute to a cause that desperately needs attention. The exhibition at HOPE93 Gallery in London will showcase the works of Harriman and his contemporaries, reminding us all of the power of art in driving social change.

Why it Matters

Misan Harriman’s impassioned plea for artists to engage with political realities serves as a reminder of the profound impact art can have on society. As the world faces unprecedented challenges, from humanitarian crises to social divisions, the role of the artist becomes ever more critical. By choosing to reflect the times through their work, artists can not only inspire change but also foster dialogue and connection in an era that desperately needs it. In embracing this responsibility, they uphold the true essence of art as a catalyst for progress and unity.

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Zoe Martinez is an arts correspondent covering theatre, visual arts, literature, and cultural institutions. With a degree in Art History from the Courtauld Institute and previous experience as arts editor at Time Out London, she brings critical insight and cultural expertise to her reporting. She is particularly known for her coverage of museum politics and arts funding debates.
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