In an unprecedented celebration of black British music, Stormzy’s iconic stab-proof vest, donned during his historic Glastonbury headline performance, takes centre stage in a newly unveiled exhibition. Titled *The Music Is Black: A British Story*, this exhibition opens its doors at the V&A East in London’s Olympic Park this weekend, showcasing a rich tapestry of musical heritage spanning 125 years. The inclusion of this provocative piece underscores the intersection of music with pressing societal issues.
A Journey Through Musical History
The exhibition is not just a display of memorabilia; it is a profound exploration of how genres such as jazz, reggae, and blues have shaped distinctly British sounds, including Two Tone, Garage, Trip Hop, and Grime. The vest, a striking creation by Banksy adorned with the Union Jack, offers a poignant commentary on national identity and the realities of street crime, inviting visitors to reflect on the role of music in confronting uncomfortable truths.
Jacqueline Springer, the exhibition’s curator, articulates the power of artistic expression in sparking dialogue about societal challenges, stating, “That’s the beauty of street art, graffiti, and rap music; it forces you to confront issues you might prefer to ignore.” She emphasises the exhibition’s mission to showcase the ambition and resilience of black artists against a backdrop of legal and racial constraints.
Notable Exhibits and Cultural Significance
Among the treasures on display is Winifred Atwell’s weathered upright piano, which played a pivotal role in her journey as the first black artist to achieve a number one single in the UK. The instrument, adorned with fan graffiti, serves as a powerful symbol of her battle against racial and gender prejudice, encapsulating her impact on both music and activism. “Her experiences with prejudice shaped her activism,” Springer notes, highlighting how Atwell’s artistry resonated deeply with her audience.
Other highlights include Joan Armatrading’s childhood guitar, stage outfits from notable musicians like Seal and Poly Styrene, and handwritten lyrics to Michael Jackson’s *Thriller*. The exhibition also features the original sketches for the 2-Tone record label logo by Jerry Dammers and the Nintendo console used by grime artist JME to produce his first tracks. Each item not only tells a story but also reflects the diverse influences that have permeated British music.
The Evolution of Reggae and Beyond
As visitors traverse the exhibition, they are taken on a chronological journey that illustrates how Caribbean and African music, influenced by colonial histories and religious practices, transformed into unique British genres. The 1970s saw the rise of British reggae, with bands like UB40 and Aswad paving the way for a musical revolution. Tony “Gad” Robinson of Aswad recalls, “We had to set that path,” reflecting on how their experiences in a colder, less tropical Britain shaped their narratives.
The exhibition reveals how venues like the Four Aces in East London championed these early reggae bands, leading to the emergence of sub-genres such as Lover’s Rock and Brit Funk. According to a recent report by UK Music, black music has been a major contributor to the UK music industry, accounting for a staggering 80% of the £30 billion revenue generated over the last three decades. This highlights the profound impact of black artists on the contemporary music landscape.
A Multisensory Experience
Enhancing the visitor experience, the exhibition features specially programmed headsets that react to the environment, creating a dynamic audio journey from juke joints and jazz clubs to reggae nights and pirate radio. This innovative approach allows guests to immerse themselves in the musical evolution, encapsulating the vibrant cultural tapestry that black British music represents.
As the exhibition unfolds, it becomes evident that the influence of black music extends far beyond its origins. From the infectious sounds of 80s pop to the punk-infused rock of Skunk Anansie, the exhibition showcases how these diverse musical styles have shaped the UK’s cultural identity.
Why it Matters
*The Music Is Black: A British Story* is more than just an exhibition; it is a vital acknowledgment of the contributions of black artists to Britain’s musical heritage. As Stormzy’s vest and Atwell’s piano illustrate, these stories of resilience and creativity are integral to understanding the complex narrative of British music. This exhibition not only honours the past but also inspires future generations to appreciate the rich cultural legacy that continues to evolve, proving that the rhythm of history is always alive and kicking.
