In a historic moment for cultural representation, Stormzy’s iconic stab-proof vest, worn during his groundbreaking Glastonbury headline performance, has taken centre stage at a new exhibition celebrating 125 years of black British music. Titled *The Music Is Black: A British Story*, this landmark installation opens its doors at the newly inaugurated V&A East in London’s Olympic Park this weekend, promising a profound exploration of the diverse musical heritage that has shaped the British soundscape.
Stormzy’s Statement Piece
Stormzy’s vest, a striking design by the renowned artist Banksy, adorned with the Union Jack, is not just a fashion statement but a poignant symbol of the intersection between music and societal issues such as identity and inequality. Displayed towards the conclusion of the exhibition, this piece encapsulates the essence of how music serves as a vehicle for addressing pressing social topics. Jacqueline Springer, the exhibition’s curator, articulates this sentiment, stating, “That’s the beauty of street art, of graffiti, of rap music; it compels you to confront uncomfortable issues.”
The vest’s prominence in the exhibition is a timely reminder of Stormzy’s historic achievement as the first British rapper to headline Glastonbury, underscoring a legacy steeped in protest and resilience. Through this lens, the exhibition delves into the rich tapestry of black British music and its roots, tracing the influences of genres like jazz, reggae, and blues that have morphed into uniquely British sounds, including Garage, Trip Hop, and Grime.
A Legacy of Pioneering Artists
Among the exhibition’s highlights is the battle-scarred upright piano of Winifred Atwell, the pioneering Trinidadian artist who shattered racial barriers to become the first black musician to score a number one single in the UK with her 1954 hit, *Let’s Have Another Party*. The instrument, intentionally left out of tune and covered in graffiti from adoring fans, stands as a testament to Atwell’s remarkable journey and her role as an activist against the prejudices of her time. Springer reflects on Atwell’s impact, noting, “Her experience with prejudice, both racial and gendered, factored into her activism,” highlighting how her music resonated deeply with her audience.
Other notable artifacts include the original sketches for the 2-Tone record label logo by Jerry Dammers, the Nintendo console that grime artist JME used to create his first tracks, and the striking gown worn by Dame Shirley Bassey during an Oscars tribute to the James Bond franchise. The exhibition weaves together these narratives, illustrating the profound influence of black artists on the British music scene.
The Evolution of British Genres
As visitors traverse the exhibition, they are transported through decades of musical evolution, from the juke joints and jazz clubs of the early 20th century to contemporary sounds. The 1970s marked a pivotal moment, as British artists began to infuse their distinct experiences into reggae, a genre that flourished thanks to the contributions of bands like Aswad and UB40. Tony “Gad” Robinson of Aswad reflects on this transformation: “We didn’t have the sunshine, the palm trees. We went to British schools. It was cold. Our experiences here became our spearhead.”
The success of these pioneering bands paved the way for the emergence of British genres such as Lover’s Rock and Drum and Bass, showcasing the enduring legacy of reggae in shaping the UK music landscape. A recent report by UK Music reveals that black music accounts for a staggering 80% of the UK music industry’s £30 billion revenue over the past three decades, underscoring its significant cultural and economic impact.
An Interactive Experience
The exhibition is not just a static display; it integrates technology to enhance the visitor experience. Specially programmed headsets react to the environment, creating a personalised DJ mix that evolves as attendees move through different sections, immersing them in an auditory journey that reflects the vibrancy of black British music.
As Robinson notes, the importance of this exhibition lies in its documentation of a rich musical heritage, allowing future generations to understand and appreciate the roots of contemporary sounds. “To have the exhibition means so much because it’s been documented,” he states, expressing hope that it will inspire the next wave of artists.
Why it Matters
*The Music Is Black: A British Story* is not merely an exhibition; it is a celebration of resilience, creativity, and cultural contribution in the face of adversity. By highlighting the intricate connections between music, identity, and social issues, it serves as a reminder of the vital role that black artists have played in shaping not only the UK music scene but also the broader cultural landscape. This exhibition is a crucial step towards acknowledging and honouring that legacy, ensuring that the stories of these pioneering musicians continue to resonate for generations to come.
