In a vibrant and compelling debut, Taraji P. Henson is making waves on Broadway with her role in the revival of August Wilson’s classic play, *Joe Turner’s Come and Gone*. As audiences gather at the Ethel Barrymore Theatre, Henson, known for her powerful performances in film and television, is not just stepping into the spotlight; she’s also engaging directly with her fans, creating an electric atmosphere that resonates across generations.
A Star is Born on Broadway
During an April video call, just a week ahead of her opening night, Henson likened her experience to that of a pop star on tour, jokingly stating, “I feel like I’m Cardi B on tour.” Her commitment to her fans is evident as she greets them post-performance, taking the time to sign playbills and share moments with the audience. This personal touch is a reflection of her deep appreciation for the craft and the community that supports her.
Henson’s illustrious career spans over three decades, showcasing her versatility in roles ranging from a soulful musician in *Hustle & Flow* to a groundbreaking mathematician in *Hidden Figures*. With accolades including Emmy nominations, a Golden Globe, and an Oscar nod, she has solidified her status as a prominent figure in Hollywood. Yet, her roots lie in theatre, where she believes her true artistic expression flourishes. “I got that good Howard [University] training,” she affirms, emphasising her foundation in drama from her studies in the ’90s.
The Call from Debbie Allen
Henson’s journey to Broadway was not one of mere happenstance; it was orchestrated by a pivotal 20-minute phone call from Debbie Allen, a veteran in the industry known for her work as an actor, choreographer, and filmmaker. Following a recommendation from Denzel Washington, who is a champion of Wilson’s works, Allen sought to gather a stellar cast for the revival. Henson recalls, “Debbie called me and was like, ‘Taraji, I got something for you! How do you feel about doing Miss Bertha in Joe Turner’s Come and Gone, honey?’ And I said, ‘Well, Debbie, anything for you. All you had to do was say August Wilson, and I’m in.’”
In *Joe Turner’s Come and Gone*, set against the backdrop of 1911 Pittsburgh, Henson portrays Bertha Holly, the nurturing matriarch of a boarding house. The play explores themes of identity, belonging, and the lingering shadows of slavery, making it both a historical piece and a poignant reflection of contemporary societal issues.
A Reflection of Today’s Struggles
The characters in *Joe Turner’s Come and Gone* grapple with their identities, desperately seeking stability and connection in a world that constantly reminds them of their past traumas. Henson highlights the relevance of these themes, stating, “Families are being pulled apart right now as we speak. Somebody who is being detained by ICE right now just disappeared. Whole families are being wrecked. That’s crazy to me.”
The spiritual elements woven throughout the narrative, influenced by both Hoodoo and Christianity, are also significant. Henson points out that while audiences may not have fully grasped these nuances in the original 1988 production, there is now a broader understanding of African-American faith and spirituality. “That’s just who we are,” she asserts, echoing the resilience inherent in the Black experience.
Embracing Purpose Amidst Challenges
For Henson, this Broadway debut is not just another role but a profound reconnection with her purpose as an artist. Reflecting on the challenges she has faced in Hollywood, particularly regarding pay equity for Black women, she admits to feeling exhausted by the constant struggle to assert her worth in an industry that often undervalues her contributions. “It doesn’t make me happy, having to fight and scrap and scrape for a dollar and my worth. That’s exhausting,” she confesses.
After stepping away from the CBS drama *Person of Interest* in 2013, Henson sought refuge in theatre, which reignited her passion for acting. “I brought Hollywood to me in Pasadena,” she recalls, emphasising how this return to her roots paved the way for her iconic role as Cookie in *Empire*.
On stage, her portrayal of Bertha Holly has been met with acclaim, showcasing not only Henson’s emotional range but also her impressive singing abilities and knack for improvisation. “You have to stay in it,” she explains, highlighting the unique challenges and joys of live theatre.
The Connection with Audiences
Henson’s Broadway run has already seen remarkable audience turnout, with fans travelling from various states to witness her performance. For Henson, this connection is more significant than any accolade. “The industry can play a game with your mind and make you think you’re not worthy because you don’t have ‘the gold’,” she reflects, ultimately finding value in the connection she forges with her audience rather than in traditional markers of success.
“Are they coming to see you like this? I’m so giving of my gift to the world, and the world sees it. That’s why they show up for me.” It’s this shift in perspective that defines her current journey, where the impact on her audience is a testament to her artistry.
*Joe Turner’s Come and Gone* continues its run at the Ethel Barrymore Theatre until 26 July, with Henson at the helm, proving that her Broadway debut is not just timely but a necessary exploration of identity, resilience, and the importance of purpose.
Why it Matters
Henson’s return to the stage encapsulates not just a personal triumph but also a broader cultural conversation about representation and the struggles facing Black artists in the entertainment industry. As she navigates the complexities of her career, Henson embodies a spirit of resilience and authenticity that resonates deeply with audiences. Her journey serves as an inspiring reminder of the importance of finding and embracing one’s purpose in a world that often seeks to define worth through external measures. Through *Joe Turner’s Come and Gone*, Henson is not only reclaiming her narrative but also encouraging others to sing their own songs of purpose and identity.
