Zine Creators Stand Firm Against AI Influence in the DIY Publishing Scene

Alex Turner, Technology Editor
5 Min Read
⏱️ 4 min read

In a world where artificial intelligence is reshaping numerous creative fields, zine makers are rallying to preserve the essence of their craft. The handmade, scrappy nature of zines—self-published booklets steeped in cultural significance from the queer and feminist movements to punk rock—clashes with AI’s sterile efficiency. As artists like Rachel Goldfinger launch counter-AI initiatives, the conversation around the future of zine culture is heating up.

The Heartbeat of Zine Culture

Zines have long served as a platform for underrepresented voices, enabling creators to express their ideas without the constraints of traditional publishing. Titles like *Sniffin’ Glue* and *Sweet-Thang* have left indelible marks on cultural movements, from punk to Black feminism. However, the emergence of AI technologies threatens to alter the landscape, prompting fear among some zine creators that the soul of their craft may be sacrificed.

Rachel Goldfinger, a Philadelphia-based video editor and illustrator, encapsulates this sentiment. Her anti-AI zine, *I Should Be Allowed to Think*, takes its name from a song by They Might Be Giants. “Of all art forms, zines are the least compatible with AI. They thrive on being handmade and raw,” she asserts, advocating for the intrinsic value of human creativity.

A Divided Landscape

While many zine creators staunchly oppose AI’s encroachment, some are experimenting with the technology in innovative ways. Jeremy Leslie, founder of the magazine retailer MagCulture, observes that the AI-integrated zines he has encountered often serve as a critique of the technology itself. “These creators are using AI knowingly, often to highlight its limitations in comparison to human creativity,” he notes.

For instance, the design duo of Jesse Pimenta and Cheyce Batchelor produced a 97-page zine using Figma’s AI tools, leveraging the technology to streamline their creative process. “It allowed us to reorder things without a lot of mental bandwidth,” they explained, showcasing a practical approach to integrating AI into their workflow.

However, this perspective is not universal. Steve Simkins, who created an online photo zine with AI assistance, believes that while the technology can democratise artistic expression, there’s a fundamental need to maintain the human touch in art. “Art should always be made by people and for people,” he emphasises.

The Anti-AI Movement Gains Momentum

As the debate unfolds, many zine makers are vocally opposing AI’s role in their craft. Maddie Marshall, hailing from Melbourne, dedicated an entire year to her 92-page zine articulating her concerns about AI in the creative sector. “I wanted to provoke thought and question the heavy push for these technologies,” she shares, highlighting the pressures she faced to utilise AI in her professional life.

Similarly, Ione Gamble, founder of the feminist zine *Polyester*, firmly rejects AI’s influence. “We don’t support AI-generated content in any form. We even run our submissions through an AI checker to ensure authenticity,” she reveals, reinforcing the commitment to human-driven creativity.

The Future of Zines: Coexistence or Conflict?

Zine makers are left pondering whether AI can coexist with their grassroots movement. “Theoretically, it has to because AI exists. But I’m not sure it will ever be harmonious,” Gamble reflects. The charm of zines lies in their simplicity—just paper, a pen, and some collage materials—creating a low barrier to entry that is at odds with the complexities of AI.

Simkins’ evolving perspective suggests a potential for AI as a tool within zine production, but he warns against losing sight of the human element. “There needs to be more dialogue about how we navigate this landscape,” he argues.

MagCulture’s Leslie, however, remains open to the idea of AI-produced zines. “We’re interested in engaging, innovative works, regardless of how they were created. If an AI-generated zine is intriguing, we’ll support it,” he asserts, indicating a willingness to embrace change while acknowledging the importance of creativity.

Why it Matters

The ongoing tussle between zine creators and AI reflects a broader cultural conversation about the role of technology in art and self-expression. As zines continue to serve as powerful vehicles for individual voices, the challenge lies in navigating the delicate balance between innovation and authenticity. The future of this beloved DIY art form may hinge on the ability of creators to assert their human-centric values amid an increasingly digital landscape.

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Alex Turner has covered the technology industry for over a decade, specializing in artificial intelligence, cybersecurity, and Big Tech regulation. A former software engineer turned journalist, he brings technical depth to his reporting and has broken major stories on data privacy and platform accountability. His work has been cited by parliamentary committees and featured in documentaries on digital rights.
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