The 61st Venice Biennale kicked off amid oppressive grey skies, where art and activism collided under the weight of political unrest. As the event unfolded, the atmosphere was punctuated by protests, resignations, and a palpable tension surrounding the participation of certain nations, notably Russia and Israel. This year’s edition, which officially opens on 9 May, has been overshadowed by contentious geopolitical dynamics, yet it remains a testament to the enduring power of artistic expression.
A Troubled Beginning
The inaugural day of the Biennale was not merely a celebration of art; it was a reflection of the state of the world. British artist Lubaina Himid, known for her incisive commentary on colonial legacies, presented a striking exhibition in the UK pavilion, blending large-scale paintings with a sound collage that evoked an idyllic summer’s day, even as rain pattered down outside.
In stark contrast, the Russian pavilion, adorned with crates of prosecco and a pulsating techno soundtrack, stood as a symbol of defiance against calls for its exclusion due to the ongoing war in Ukraine. This marked Russia’s return to the Biennale after a two-year hiatus, illustrating the complex interplay between art and international politics.
Jury Resigns, Tensions Escalate
Before the opening, a significant upheaval occurred when the jury responsible for awarding the Golden Lion prizes resigned en masse. Their decision stemmed from a commitment to exclude entries from nations whose leaders face international arrest warrants, effectively barring Russia and Israel. This bold stance highlights the moral quandaries faced by the art community amid escalating global tensions.
However, the Italian Ministry of Culture announced that the Russian pavilion would remain closed to the public, a move welcomed by Ukrainian Culture Minister Tetyana Berezhna. She described the closure as a “meaningful step,” albeit one that still allowed Russia’s symbolic presence to loom large over the event, underscoring the profound impact of cultural representation in shaping global narratives.
Protests and Solidarity
The Biennale was further marked by a protest orchestrated by approximately 60 artists from the “In Minor Keys” exhibition, who took to the Giardini to perform the Solidarity Drone Chorus. This poignant demonstration, which involved humming a collective song while slowly marching through the gardens, was a direct critique of Israel’s participation. The call for the cancellation of the Israeli pavilion was echoed in an open letter signed by over 200 artists, including prominent figures like Himid and Alfredo Jaar.
In a year that mourns the absence of Koyo Kouoh, the late curator who passed away in May 2025, the curatorial team has endeavoured to carry forth her vision. A mural by Derrick Adams, situated prominently outside the Arsenale, stands as a tribute to Kouoh’s legacy and the spirit of resilience that permeates this year’s Biennale.
A Blend of Art and Nature
Amidst the political tumult, some moments of levity emerged. The Austrian pavilion drew crowds with an audacious performance by choreographer Florentina Holzinger, who swung from a bell suspended by a crane, while inside, installations featured water tanks and provocative themes, including a jet ski and an explosive sewage display.
Interestingly, the nesting seagull outside the Polish pavilion became an unexpected star attraction, drawing visitors who marveled at its humble presence, inadvertently showcasing nature’s resilience amid human chaos.
Why it Matters
The Venice Biennale serves as a microcosm of global tensions and artistic expression, where the intersections of culture, politics, and social movements vividly emerge. As artists navigate the complexities of representation in a fractured world, their work challenges audiences to confront uncomfortable truths. The events of this year’s Biennale underscore the vital role that art plays not only in reflecting society but also in shaping its future. In times of discord, art remains a powerful vehicle for dialogue, resistance, and, ultimately, hope.
