Baftas 2026: One Battle After Another Claims Top Spot with 14 Nominations

Ben Thompson, Culture Editor
4 Min Read
⏱️ 3 min read

The race for the 2026 Baftas is heating up as Paul Thomas Anderson’s offbeat comedy, *One Battle After Another*, leads the nominations with a total of 14 nods, just ahead of Ryan Coogler’s horror film, *Sinners*, which received 13. The announcement has set the stage for a fierce competition, showcasing a mix of celebrated talents and surprise entries, including *I Swear*, a poignant British comedy that has garnered an unexpected five nominations.

A Clash of Titans

While *Sinners* has made headlines as the first film to receive 16 Oscar nominations, it is *One Battle After Another* that has captured the Bafta voters’ attention this year. With a broad array of nominations across major categories, Anderson’s latest film is poised to make a significant impact at the February 22 ceremony.

Trailing closely behind, both *Hamnet* and *Marty Supreme* have each secured 11 nominations, while *Frankenstein* and *Sentimental Value* follow with eight nods. This competitive landscape highlights a diverse array of storytelling that has resonated with audiences and critics alike.

Surprise Nominees and Notable Snubs

In an unexpected turn, the British comedy *I Swear* has made a strong showing with five nominations, including a best actor nod for Robert Aramayo. Known for his role as young Ned Stark in *Game of Thrones*, Aramayo is now stepping into the limelight as John Davidson, a Scottish advocate for Tourette syndrome awareness. His nomination is a testament to the film’s impact; it has also been recognised for outstanding British film, original screenplay, and supporting actor for Peter Mullan.

Conversely, the nominations revealed a few notable absences. The much-anticipated sequel *Wicked: For Good* managed to secure nods for costume design and hair and makeup, yet failed to garner recognition for its leading stars, Cynthia Erivo and Ariana Grande. Other high-profile actors, including Jennifer Lawrence and Dwayne Johnson, were also left off the shortlist, demonstrating the unpredictable nature of awards season.

An Evolving Landscape

This year’s Bafta nominations reflect a growing embrace of diverse narratives and voices in British cinema. Bafta chair Sara Putt remarked on the public’s appetite for “moving and authentic stories of lived experience,” suggesting a shift towards films that resonate deeply with contemporary audiences. The increasing success of genre films like *Sinners* and *One Battle After Another* indicates a hunger for cinema that both entertains and provokes thought.

Despite the celebration of homegrown talent, the leading acting categories remain predominantly filled by non-British nominees, highlighting the ongoing challenge of representation in the film industry. Only two directors nominated in the leading category are not white, and Chloé Zhao, director of *Hamnet*, is the sole woman in contention. Putt emphasised the need for continued efforts towards gender parity, underscoring Bafta’s commitment to fostering inclusivity in its selection processes.

Looking Ahead

The Baftas will take place on 22 February, hosted by Alan Cumming, while the Oscars follow shortly after on 15 March, with Conan O’Brien returning as host. As the awards season progresses, all eyes will be on how these nominations translate into wins, particularly for films that challenge the status quo and spotlight underrepresented stories.

Why it Matters

The Bafta nominations not only celebrate artistic achievement but also reflect broader societal shifts within the film industry. As audiences increasingly seek narratives that resonate with their experiences, the success of films like *I Swear* and *One Battle After Another* signals a promising future for diverse storytelling. This year’s nominations reinforce the importance of representation in cinema, setting the stage for a more inclusive industry that values varied perspectives and authentic voices.

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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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