KSI Bids Farewell to Sidemen After Over a Decade of Collaboration

Zoe Martinez, Arts Correspondent
5 Min Read
⏱️ 4 min read

In a stunning move that has left fans and followers reeling, social media sensation KSI, born Olajide Olatunji, has announced his departure from the YouTube collective Sidemen after a remarkable 13-year journey. The decision comes as a shock to many, especially given KSI’s prominent role in the group, which boasts a staggering 23 million subscribers on YouTube. The announcement was confirmed by his spokesperson, quelling speculation that it might merely be a publicity stunt.

A Heartfelt Goodbye

KSI shared the news through an emotional video on his personal YouTube channel, stating, “This is honestly the hardest video I’ve ever had to make in my life.” He reflected on the years spent creating a variety of content with the group, from comedic sketches to gaming challenges. The 30-year-old expressed his nostalgia for the early days when they were simply a group of friends making videos about their gaming exploits in Grand Theft Auto, unaware of the massive audience they would eventually attract.

He emphasised that there were no underlying issues with the group, insisting, “Nothing bad has happened between me and the guys. This decision is completely my own.” KSI elaborated on his feelings of being stretched thin with various commitments, saying, “Over the last few years, I’ve felt myself being pulled in a lot of directions. I feel like I’ve been running at full speed, at 100mph.”

Sidemen Respond to the News

The remaining members of Sidemen expressed their surprise and sadness regarding KSI’s decision. In a statement shared across social media platforms, they extended their best wishes for his future, stating, “We had an amazing time on this journey with him and we wish him all the best with his future endeavours.” They acknowledged the adjustment that fans would have to make, assuring them that exciting new content was on the horizon.

Sidemen Respond to the News

KSI’s departure marks the end of an era for the collective, which has garnered over 140 million subscribers across all its members. Their most viewed content includes a viral challenge where they travelled on drastically different budgets, which has amassed over 100 million views. The Sidemen have also made headlines for their charity football matches, raising millions for various causes, alongside launching a successful line of merchandise including a fried chicken chain and an array of apparel.

Fans React: A Mixed Bag of Emotions

Initially, many fans were sceptical about KSI’s announcement, suspecting it might be a mere marketing ploy. However, as the reality of his decision set in, tributes began pouring in. Comments such as “Thought it was fake at first, but looks like it’s real. Still don’t want to accept it though,” highlight the emotional turmoil of fans grappling with the news. Others expressed their support, with one comment stating, “Good luck on the rest of your journey JJ! Takes courage to make this next step.”

KSI, known for his versatility as a content creator, has also enjoyed success as a musician and former professional boxer. He recently made headlines for acquiring a minority stake in Dagenham & Redbridge Football Club, further diversifying his interests outside of YouTube.

Why it Matters

KSI’s departure from Sidemen signifies not just the end of a long-standing partnership, but also the evolution of content creation in the digital age. As individual creators like KSI seek to carve out their unique paths, it raises questions about the future of collaborative ventures on platforms like YouTube. For fans, this transition is bittersweet, reflecting both the personal growth of their favourite creators and the inevitable changes that come with success. KSI’s journey serves as a testament to the transformative power of social media, and his next steps will undoubtedly be watched closely by millions.

Why it Matters
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Zoe Martinez is an arts correspondent covering theatre, visual arts, literature, and cultural institutions. With a degree in Art History from the Courtauld Institute and previous experience as arts editor at Time Out London, she brings critical insight and cultural expertise to her reporting. She is particularly known for her coverage of museum politics and arts funding debates.
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