The Return of 80s Glam: Jilly Cooper’s Iconic Blow-Dry and More

Catherine Bell, Features Editor
5 Min Read
⏱️ 4 min read

The second season of *Rivals* has not only reignited the drama of Jilly Cooper’s beloved characters but has also brought back a wave of nostalgic hairstyles from the vibrant 80s. Amongst the glamorous revival, the Jilly Cooper blow-dry takes centre stage, perfectly embodying the exuberance of the era. With this season’s release, viewers are once again inspired to embrace bold, voluminous looks reminiscent of rock legends and style icons.

The Resurgence of Iconic Styles

With the return of *Rivals*, trends that were once thought to be relics of the past are making a triumphant comeback. The show’s compelling narrative is accompanied by hairstyles that reflect a time when bigger was indeed better. From extravagant curls to sharp cuts, the 80s offered a plethora of styles that are now ripe for revival.

Jilly Cooper’s Blow-Dry: A Statement of Boldness

The quintessential Jilly Cooper blow-dry is back in vogue, characterised by its big, bouncy curls that command attention. This look is not just a hairstyle; it’s a statement of confidence and exuberance, perfectly matching the show’s spirited narrative. It’s an invitation to embrace a carefree attitude while celebrating the glamour of a bygone era.

A Nod to the Legends

The fascination with 80s hairstyles doesn’t stop at Cooper. Other iconic looks from the decade are also back, each with its own distinct personality:

1. **The Bonnie Tyler**: Known for its gravity-defying layers, this rock-chick style is all about making a bold entrance. Its voluminous nature captures the essence of a carefree spirit ready to take on the world.

2. **The Diana, Princess of Wales**: Often referred to as the “duck’s arse,” this precise feathered look was both regal and subdued, showcasing a blend of elegance and restraint that mirrored Diana’s public persona.

3. **The Tina Turner**: Unreplicable and defiant, this hairstyle defied colour norms and convention. Turner’s wild mane was a statement of individuality that few could hope to replicate.

4. **The Grace Jones**: With her daring buzzcut, Jones redefined femininity, blending androgyny with fierce confidence. This style still resonates today as a bold declaration of identity.

5. **The David Bowie**: A true chameleon, Bowie’s layered, vibrant locks from the *Labyrinth* era embodied a magical essence, showcasing a style that was both whimsical and fantastical.

Glam Metal and the Male Icons

The 80s also witnessed a surge in memorable male hairstyles that challenged traditional masculinity:

– **Bono’s Mullet**: A mix of rebellion and sophistication, Bono’s long locks gained notoriety during *Live Aid*, although he later expressed embarrassment over the style.

– **Slash**: With curls that seemed sculpted by nature, Slash’s iconic look became synonymous with his rock persona. His hair, much like his music, was unapologetically extravagant.

– **Steven Tyler**: The Aerosmith frontman effortlessly blended the Jilly Cooper look with a rock ‘n’ roll edge, proving that flamboyance knows no gender.

A Celebration of Individuality

The resurgence of these hairstyles isn’t merely about nostalgia; it’s a celebration of individuality and self-expression. The vibrant styles of the 80s encourage a generation to embrace their unique identities. Whether it’s a bold blow-dry or an audacious cut, these hairstyles remind us that hair is not just an accessory but an extension of who we are.

Why it Matters

The revival of 80s hairstyles, sparked by *Rivals*, serves as a powerful reminder of the freedom and creativity that personal style can embody. In a world where conformity often reigns, these looks encourage individuals to break free from the mundane and embrace their inner flamboyance. As we witness the resurgence of these iconic styles, it becomes clear that fashion is cyclical, and with each return, it inspires us to express ourselves boldly and unapologetically.

Why it Matters
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Catherine Bell is a versatile features editor with expertise in long-form journalism and investigative storytelling. She previously spent eight years at The Sunday Times Magazine, where she commissioned and edited award-winning pieces on social issues and human interest stories. Her own writing has earned recognition from the British Journalism Awards.
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