A Circle of Resistance: Women Unite Against Gender Violence in Peru

Zoe Martinez, Arts Correspondent
5 Min Read
⏱️ 4 min read

In a poignant display of solidarity, Peruvian photographer Ana Elisa Sotelo captured the spirit of sisterhood through her evocative project titled “Women’s Circle.” Initiated in early 2023 amidst a distressing surge in femicides in Lima, this artful expression invites women to swim together in a powerful act of defiance against the pervasive threat of gender violence. The resulting photograph encapsulates not only the anguish surrounding these tragic events but also the resilience and unity of women in their fight for safety and recognition.

A Call to Action

Following a series of heartbreaking femicides that shook the city, Sotelo felt compelled to take action. She made a public appeal inviting women to join her for a unique gathering at the beach, seeking to create a space where they could express their grief, anger, and solidarity through the act of swimming. Using social media, specifically Instagram, she rallied women from her swimming community, forming a supportive network via WhatsApp to facilitate the gathering while ensuring it remained a safe environment free from male onlookers.

On the morning of the event, participants gathered at Playa Agua Dulce, one of Lima’s busiest beaches, before dawn broke. With a palpable sense of urgency, women prepared to swim into the ocean, shedding their swimsuits as a symbol of liberation and vulnerability. This moment was amplified by the presence of Ana De Orbegoso, another artist who crafted a vest emblazoned with the words “Alive and Fearless,” which became the rallying cry for the day.

Embracing Vulnerability

As the sun began to rise, the women ventured into the chilly waters, which hovered around zero degrees. Despite the cold, the atmosphere was charged with a sense of freedom and camaraderie. For a brief twenty minutes, they swam together, forming a circle in the water—a visceral representation of their collective strength. “Once naked, the kicking and screaming occurred naturally,” Sotelo reflected, highlighting the spontaneous expression of emotions that emerged in this shared act of vulnerability.

Embracing Vulnerability

With a drone capturing the scene from above, Sotelo documented not just the physical act of swimming, but the deeper emotional currents flowing among the participants. This gathering was less about the individual and more about the collective; each woman supported the others, reinforcing a sense of community in the face of adversity. After the swim, the women returned to shore, their spirits buoyed by the experience, even as reality loomed large.

The Shadow of Gender Violence

Three years on, the world continues to grapple with the harsh realities of gender-based violence, and the urgency surrounding these discussions seems to have waned. Sotelo expresses her bittersweet feelings about sharing her photograph today, pondering whether a similar call to action would still resonate with women in the current climate. Would they feel emboldened to join her, or has the weight of fear overshadowed the call for solidarity?

The challenges remain daunting. Gender violence persists globally, and while artistic expressions like Sotelo’s are vital in keeping the conversation alive, they also serve as a reminder of the work still needed to protect women.

Why it Matters

The “Women’s Circle” is more than just a striking photograph; it is a testament to resilience and a clarion call for change in a world that often feels increasingly hostile to women. In a time when the urgency to address gender violence has seemingly diminished, projects like this encapsulate the power of collective action and the necessity of keeping these conversations at the forefront. The image stands as a rallying point: a reminder of the strength found in solidarity and the ongoing fight for a future where women can feel safe and empowered.

Why it Matters
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Zoe Martinez is an arts correspondent covering theatre, visual arts, literature, and cultural institutions. With a degree in Art History from the Courtauld Institute and previous experience as arts editor at Time Out London, she brings critical insight and cultural expertise to her reporting. She is particularly known for her coverage of museum politics and arts funding debates.
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