JMW Turner Watercolour Set to Make Waves at Auction, Estimated at £600,000

Zoe Martinez, Arts Correspondent
4 Min Read
⏱️ 3 min read

A stunning watercolour by the illustrious British artist JMW Turner is set to take centre stage at Christie’s auction next month, with estimates suggesting it could fetch between £400,000 and £600,000. This captivating piece, titled “The Lauerzersee With The Ruins Of Schwanau And The Mythen,” embodies Turner’s fascination with the Swiss landscape during his final years. As one of his most prized works on paper, it reflects not only Turner’s artistic genius but also the enduring allure of his oeuvre in the contemporary art market.

A Masterpiece of Swiss Landscape

Turner’s watercolour, created during his travels in Switzerland, showcases the picturesque scenery beneath the renowned Rigi mountain. The painting is notable for its exceptional preservation and luminous quality, allowing viewers to appreciate the vividness of Turner’s palette and technique. Since Turner’s passing in 1851, his late-period watercolours have garnered considerable acclaim, firmly establishing them as some of the most sought-after art pieces in the world.

This particular work will feature prominently in Christie’s “Lines of Vision: Celebrating 20 Years of Stephen Ongpin Fine Art” sale. Highlighting the auction’s significance, it not only marks the gallery’s anniversary but also serves as a testament to the long-standing appreciation for Turner’s artistic legacy. The provenance of this watercolour is impeccable, tracing back directly to Turner himself—an essential detail that enhances its value among collectors.

A Diverse Auction Line-up

The upcoming auction will present a diverse selection of approximately 100 drawings and works on paper, spanning five centuries and encompassing styles from the old masters to contemporary artists. The estimates for pieces in this sale range from a modest £700 to the ambitious £600,000 for Turner’s work. Among other notable artists featured are Tiepolo, Guercino, and Boucher, as well as modern luminaries such as Picasso, Klee, Matisse, and Frankenthaler.

Stephen Ongpin, whose gallery celebrates its two-decade milestone, expressed his enthusiasm for drawing as an art form. He remarked, “I have always been drawn (forgive the pun) to the very intimacy of works on paper, and to the connection they engender with the creative process at its most direct and unfiltered.” This sentiment underscores the unique relationship between artist and viewer that drawings facilitate.

Celebrating Artistic Heritage

Keith Gill, head of sales at Christie’s, emphasised the significance of this auction, describing it as a “celebration of the gallery and Stephen’s longstanding and continued contribution to the field of drawings and works on paper.” He added that the auction reflects Ongpin’s discerning eye and passion for art, showcasing a diverse array of exceptional works.

The pre-sale exhibition, set to take place from June 26 to July 2, will provide art enthusiasts and collectors with a unique opportunity to engage with these exquisite pieces up close, fostering a deeper appreciation for the artistry and history they embody.

Why it Matters

The impending auction of Turner’s watercolour not only highlights the enduring value of historical art but also underscores the vital role that auction houses like Christie’s play in preserving and promoting our cultural heritage. In an era where the significance of traditional art forms can sometimes feel eclipsed by modern trends, this event serves as a poignant reminder of the timeless beauty and importance of works on paper. As collectors and enthusiasts gather to bid on these masterpieces, we witness the continued relevance of artistic expression across generations, ensuring that the stories and legacies of artists like Turner remain alive for future audiences.

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Zoe Martinez is an arts correspondent covering theatre, visual arts, literature, and cultural institutions. With a degree in Art History from the Courtauld Institute and previous experience as arts editor at Time Out London, she brings critical insight and cultural expertise to her reporting. She is particularly known for her coverage of museum politics and arts funding debates.
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