BTS Withdraws from 2027 Grammys Amid Controversy Over New Asian Pop Award

Ben Thompson, Culture Editor
5 Min Read
⏱️ 4 min read

In a bold move signalling their discontent with the Recording Academy, BTS, the reigning kings of K-pop, have announced they will not participate in the upcoming 2027 Grammy Awards. The South Korean sensation’s decision comes in response to the introduction of a new category specifically for Asian pop music performance, which they fear may inadvertently segregate their genre from mainstream recognition.

A Statement of Intent

Each of the seven members of BTS took to Instagram to share their sentiments, stating, “We have decided not to enter the Grammys this year. I hope that music can be heard and loved for what it is, rather than being divided by region or language.” This carefully crafted message serves as a gentle yet pointed critique of the Academy’s recent decision, which they perceive as an unnecessary division within the global music landscape.

The Recording Academy’s president, Harvey Mason Jr., previously defended the introduction of the Asian pop award, explaining it was a response to the community’s desire for more recognition of diverse musical genres. However, the choice of words has drawn scrutiny, especially as the Asian and Latin pop markets have long been established and profitable, rather than merely “new.”

Concerns Over Segregation

The announcement of the Asian pop category has sparked concerns within the industry that it could inadvertently isolate Asian artists from competing in the prestigious top categories. Historically, the Grammys have been critiqued for their lack of inclusivity towards Asian artists; BTS themselves were the first K-pop group to receive a nomination in 2021. While this year’s ceremony offered a glimpse of progress—with K-pop artists achieving notable wins—there remains a palpable tension regarding how these new categories may impact future nominations.

Notably, Golden, a track from the popular film *KPop Demon Hunters*, made waves by winning Best Song Written for Visual Media, marking a significant milestone for K-pop at the Grammys. However, the fact that both Golden and Rosé’s APT primarily feature English lyrics raises questions about eligibility for the new Asian pop category, which necessitates a “meaningful use” of an Asian language. BTS’s latest album, *Arirang*, predominantly features Korean lyrics, positioning them as strong contenders for this newly established category—should they choose to participate.

Shifts in Grammy Landscape

The addition of the Asian pop award is part of a broader trend within the Grammys to diversify its offerings, with other new categories like Best R&B Collaboration and Best Traditional Folk Album set to debut in 2027. The ceremony is scheduled for February 7 in Los Angeles, and the stakes surrounding representation and recognition in this year’s event will be more scrutinised than ever.

The Grammys have faced consistent criticism for their voting processes and the perceived bias towards Western artists. While the Academy is making efforts to adapt, many observers worry that the introduction of region-specific categories may do little to bridge the gap and could, in fact, reinforce existing divides.

Why it Matters

BTS’s withdrawal from the Grammys is more than just a personal choice; it reflects a broader conversation about the nature of recognition in the music industry. As the landscape evolves, the response of leading artists to institutional changes will shape the future of awards shows. Their stand against perceived segregation in music not only underscores the importance of inclusivity but also challenges the industry to rethink how it honours diverse genres without marginalising them. As BTS continues to influence the global music scene, their actions could potentially catalyse significant change within award ceremonies and beyond, prompting a reevaluation of how we celebrate artistic achievement in an increasingly interconnected world.

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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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