In a world increasingly dominated by fleeting digital moments, Alon Goldsmith, a Johannesburg-born photographer now residing in Los Angeles, has embarked on a remarkable artistic endeavour. On New Year’s Day 2026, he launched a year-long project that involves capturing and sharing a photograph daily. The outcome thus far is a fascinating glimpse into his creative process, with one striking image particularly standing out—an evocative black-and-white portrait of a Hi-Spy Viewing Machine, perched grandly over an empty beach.
A Year of Daily Discovery
Goldsmith’s project is not merely about filling a calendar; it is a profound exploration of his surroundings. He describes the challenge that comes with this commitment: “On some days, it’s a struggle to find something worthy of being included, and on others, it’s a challenge to make a choice.” Each photograph represents not just a moment in time but a reflection of the artist’s evolving perspective.
The captivating image in question was taken on day 111 of his project during one of his daily bike rides through the vibrant locales of Venice and Santa Monica Pier. Goldsmith has affectionately dubbed these areas a “cornucopia of curiosities,” where every turn reveals new opportunities for artistic expression.
The Art of Slowing Down
Through his daily rides, Goldsmith has discovered a unique way to engage with the world. He reflects, “Looking at the world from this vantage point allows me to slow down and notice what’s around me in a different way. When I’m not rushing, the world reveals itself more fully.” This deliberate approach not only enhances his awareness but also enriches his photography.
The Hi-Spy Viewing Machine, a central figure in his recent composition, serves as a powerful metaphor. Goldsmith’s choice to convert the image to black-and-white during post-production was intentional: “I think the change emphasises the graphic and cinematic nature of the composition,” he explains. The monochrome treatment accentuates the dramatic clouds, adding sculptural weight to the scene, while a solitary bird in the frame imbues the machine with a sense of loneliness, transforming it into a character gazing thoughtfully at the vast expanse of the beach.
The Ethics of Street Photography
Goldsmith’s dedication to authenticity shines through in his work. He is steadfast in his belief that the integrity of street photography demands a commitment to honesty. “Tidying up, or erasing elements, like the swooping seagull or smudge of heaped sand, was out of the question,” he asserts. For him, the rawness of the moment is vital; every element captured contributes to the story he aims to tell.
His work underscores a larger conversation about the ethics of photography, particularly in an age where digital manipulation is commonplace. Goldsmith’s refusal to alter his images not only respects the integrity of the scene but also invites viewers to engage with the authenticity of his artistic vision.
Capturing the Everyday
Goldsmith’s project is a revelation of the extraordinary within the ordinary. Each photograph serves as a reminder that beauty often lies in the mundane, waiting to be discovered by those willing to take the time to notice. The Hi-Spy Viewing Machine, while seemingly a simple subject, becomes a poignant symbol of solitude and reflection against the backdrop of the vast, untamed beach.
Why it Matters
Goldsmith’s photographic journey is more than an artistic endeavour; it is a clarion call to slow down and appreciate the world around us. In a fast-paced society often preoccupied with screens and instant gratification, his project encourages a return to mindfulness and presence. By capturing the essence of everyday life and refusing to manipulate his images, Goldsmith not only preserves the authenticity of his art but also inspires others to find beauty in their own surroundings. His work serves as a reminder that within the chaos of modern life, there lies a wealth of stories, waiting patiently to be told.
