Chappell Roan Dazzles at the Grammys in Iconic 1998 Mugler Nipple-Piercing Dress

Catherine Bell, Features Editor
4 Min Read
⏱️ 3 min read

In a stunning display of fashion history, Chappell Roan made a striking entrance on the Grammys red carpet, donning a breathtaking burgundy Mugler dress inspired by a controversial piece from the brand’s 1998 collection. The “Subway” singer, who was nominated for two awards during the star-studded ceremony, drew gasps as she showcased the avant-garde design that once left audiences in shock.

A Nod to the Past

Roan’s daring ensemble featured sheer fabric suspended from hoop rings affixed to her nipples, an homage to the original creation by the late Thierry Mugler, which aimed to challenge societal norms. The dress, reimagined by the brand’s current creative director, Miguel Castro Freitas, was part of the spring/summer 2026 collection. It adorned Roan in a way that paid tribute to Mugler’s bold vision while ensuring modern sensibilities were respected.

The gown debuted on the runway as part of the “Jeu de Paume” collection, where it famously elicited mixed reactions. The New York Times aptly noted, “one could wince when the nipple dress arrived,” highlighting the audacity of Mugler’s work. Roan, however, took a more contemporary approach by utilising prosthetic covers beneath the garment, offering a nod to the original while adapting it for today’s audience.

The Art of Reinvention

In her striking ensemble, Roan paired the daring dress with a selection of accessories: a sleek choker, dangling earrings, and gladiator-style heeled sandals. Her signature hair cascaded down her chest, accentuating the intricate henna designs and body art that adorned her decolletage and arms. This fusion of old and new not only showcased Roan’s individuality but also revitalised a piece that had once caused quite the stir in the fashion world.

The original dress was exhilaratingly modelled by Belgian muse Erica Vanbriel, who recalled her own experiences on the runway. “It was a little bit nerve-wracking, and I remember thinking oh my goodness, here I am with my boobs out,” she reflected, adding that the sensation was tempered by the knowledge that “Mugler had my back.”

A Night of Glamour and Recognition

The 2026 Grammy Awards, hosted by Trevor Noah at the Crypto.com Arena in Los Angeles, brought together a host of musical talents, with performances from Justin Bieber, Addison Rae, and Tyler, the Creator. The atmosphere was electric as Puerto Rican rapper Bad Bunny clinched the coveted Album of the Year award, while Kendrick Lamar and SZA celebrated their victory for Record of the Year with their collaborative hit “Luther.”

After making waves with her bold fashion choice, Roan later transitioned to a more subdued look to present the award for Best New Artist, which went to British singer Olivia Dean, a recipient of the same honour the previous year.

Why it Matters

Chappell Roan’s appearance at the Grammys is more than just a moment of fashion; it represents a significant dialogue about self-expression and the evolving landscape of celebrity culture. By resurrecting a piece that once caused controversy, Roan not only pays homage to Mugler’s legacy but also sparks conversations about body positivity and artistic freedom in fashion. In a world where personal expression is often stifled, her bold choice encourages others to embrace their uniqueness and challenge the norms, making a powerful statement that resonates across the globe.

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Catherine Bell is a versatile features editor with expertise in long-form journalism and investigative storytelling. She previously spent eight years at The Sunday Times Magazine, where she commissioned and edited award-winning pieces on social issues and human interest stories. Her own writing has earned recognition from the British Journalism Awards.
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