Late Night Laughs: Kimmel and Meyers Skew Trump Over White House Media Ban Lift and China State Visit

Ben Thompson, Culture Editor
7 Min Read
⏱️ 5 min read

The comedy circuits were abuzz this week as Donald Trump’s unprecedented state visit from China’s Xi Jinping took centre stage, alongside the dramatic reversal of the White House’s controversial media ban. Jimmy Kimmel and Seth Meyers seized the moment, delivering razor-sharp commentary on the president’s obsession with opulent construction projects and the judiciary’s intervention in press access.

The developments came to a head on Thursday night, with Kimmel opening Jimmy Kimmel Live! by addressing the court ruling that forced the White House to reopen its doors to journalists. “At this point, the only thing more unwelcome in the Oval Office than CNN is a salad,” he quipped, underscoring the absurdity of the administration’s media restrictions. The ruling arrived during Xi’s visit, which saw Trump proudly showcasing the golden interiors and a half-finished ballroom alongside what he dubbed “the most beautiful helipad ever.”

Kimmel’s impersonation captured the president’s braggadocious tone perfectly: “Guys, I know that gas is $6 a gallon, but look at how beautiful my helipad is.” The late-night host also poked fun at Xi’s goodwill gesture of sending two giant pandas to the US, warning darkly: “If they send Trump pandas, he’s definitely going to eat them.” The absurdity of the moment was not lost on the audience, with Kimmel adding, “Do these pandas come Express?”

Meanwhile, Meyers on Late Night tackled the defence from Trump’s allies against mounting economic pressures. With gas prices soaring and inflation biting, Republican figures like RNC chair Reince Priebus and Senator Tommy Tuberville doubled down, suggesting voters would accept higher fuel costs. “You should tell them that!” Meyers responded. “You should stand at a gas station and every time someone spends $120 to fill up their truck, just say, ‘That wasn’t so bad, right?’” The audience erupted as he finished, “See how long it takes before someone douses you in gasoline.”

###Trump’s Helipad Obsession vs Economic Realities

Both hosts highlighted the stark contrast between Trump’s fixation on architectural grandeur and the everyday struggles of American families. Kimmel noted that Trump’s motto seemed to be building whatever he pleased, regardless of fiscal prudence, while Meyers questioned why Obama, known for his pragmatic approach, never secured similar funding for such projects. “His motto was ‘Yes, we can’ but on helipads he was like, ‘No, we can’t,’” Meyers observed, drawing laughter and applause.

The state dinner that followed further illustrated the surreal nature of the administration’s social circle. Kimmel described the gathering as one where “everyone who’s ruining everything” was invited—tech moguls like Jeff Bezos, Elon Musk, Sam Altman and Tim Cook all mingling in the same room. “I don’t know why we can’t just lock the doors and build a moat around the place,” Kimmel joked, suggesting the guests were more interested in disrupting industries than diplomacy.

Adding to the satire, Kimmel pointed out Starbucks’ planned closure of 250 US stores, equating it to a minor surgical procedure: “This is basically the corporate equivalent of having a mole removed.” He quipped that customers would simply walk to the nearest remaining outlet, highlighting the chain’s resilience despite contraction.

###Media Ban Reversal Sparks Sharp Satire

Meyers focused heavily on the legal overturning of the White House media ban, delivered with characteristic sarcasm. He emphasised that the injunction stemmed from the policy being enacted without “constitutionally adequate due process,” a phrase so technical it barely fit Trump’s vocabulary. “Not only was it done without constitutionally adequate due process, Trump wouldn’t even be able to say the words ‘constitutionally adequate due process’,” Meyers deadpanned, eliciting collective chuckles.

He speculated humorously that had the phrase been scripted for the president’s teleprompter, it might have caused a meltdown. “If somebody put the words ‘constitutionally adequate due process’ in his teleprompter, he might just resign,” Meyers concluded, leaving the audience in stitches.

###Economic Pressures Meet Political Spin

The duo also tackled the broader narrative spun by Trump supporters amid rising living costs. Meyers mocked the idea that frustration over fuel prices should be dismissed as acceptable, proposing a darkly comic solution: urging people to express dissatisfaction at gas stations until they’re literally doused in fuel. “See how long it takes,” he laughed.

He contrasted Trump’s priorities with those of his predecessor, noting how Obama had focused on substance rather than spectacle. “Can you just build the shit you want without also making it sound like you’re the first guy smart enough to do it?” Meyers railed, capturing public sentiment about misplaced priorities.

Both Kimmel and Meyers underscored the growing disconnect between political rhetoric and public experience, using humour to expose contradictions and highlight the judiciary’s role in restoring democratic norms.

Why it Matters

The late-night critiques illuminate a pivotal moment in American democracy, where satire becomes a barometer of public sentiment. As Trump’s state visit unfolds and economic hardships deepen, the comedy circuits reflect not just amusement but alarm—spotlighting tensions between governance, press freedom, and citizen welfare. The reversal of the media ban signals a legal correction, yet the persistence of elite gatherings and grandiose spending amidst widespread struggle raises enduring questions about whose interests are truly being served.

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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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