Artist Seeks Legal Counsel Over Conservative Party’s Use of Andy Burnham Portrait

Emma Richardson, Deputy Political Editor
5 Min Read
⏱️ 4 min read

Stanley Chow, the Manchester‑based illustrator who created a portrait of Andy Burnham for the politician’s 2021 mayoral campaign, says he is taking legal advice after discovering that the Conservative Party used his artwork on merchandise handed out at their recent conference in Birmingham. The items – water bottles labelled “Bottler Burnham” and “0% strength”, together with sweets branded “Andy Panders’ People Pleaser Pick N Mix” – were distributed to attending media in goody bags. Chow claims the party never sought permission to reproduce his image, describing the move as childish and a clear breach of copyright.

The Conference Giveaway

During the Conservative Party gathering in Birmingham, delegates and press received promotional packs that included bottles of water and packets of sweets featuring Chow’s likeness of Burnham. The bottles carried the tongue‑in‑cheek slogan “Bottler Burnham” and were marked “0% strength”, while the sweets bore the phrase “Andy Panders’ People Pleaser Pick N Mix”. Chow first became aware of the usage when a colleague shared a photograph of the items on social media. He said he was “stunned and angry” when he saw what had been done, adding that the party’s actions felt “childish”.

In a statement to the press, Chow confirmed that he had approached a solicitor for advice on possible copyright infringement. He expressed disappointment that an institution such as the Conservative Party appeared unaware of the need to seek permission before using another creator’s work. “I am taking legal advice,” he stated, “and I want to show other artists that when this happens you can make a stand, especially in this day and age where artists are struggling because of AI and the cost of living.” Chow also reiterated his belief that the unauthorised use of his portrait constitutes copyright infringement, regardless of political allegiance.

Artist's Response and Legal Steps

Previous Infringement Claims

This is not the first time Chow has alleged that his Burnham portrait has been used without consent. Earlier in the year, he accused Reform UK of incorporating the image into AI‑generated social media posts. A Reform UK spokesman responded at the time, saying the posts had been “removed in good faith and without any admission of liability on our part”. Chow’s legal team is now reviewing both incidents to determine whether a pattern of unauthorised reuse exists.

Background on Stanley Chow

Stanley Chow is a well‑known illustrator in Greater Manchester, celebrated for his bold, simple shapes and sweeping curves. Aside from his political portraits, he has produced widely recognised depictions of footballers such as Wayne Rooney, Edgar Davids and Ronaldinho. His portfolio includes a series titled “Great Northerners”, featuring figures like actress Maxine Peake, suffragette leader Emmeline Pankhurst and poet Lemn Sissay. Chow has also contributed to cultural projects in his home city, most recently curating an art trail for the Brit Awards’ arrival in Manchester. A lifelong Manchester United fan, he once presented a portrait of Sir Alex Ferguson to the former club manager.

Background on Stanley Chow

Why it Matters

The controversy highlights a growing tension between political organisations and independent creators in an era where digital content can be copied and redistributed with ease. If Chow’s claim of copyright infringement is upheld, it could set a precedent that discourages parties and campaign groups from appropriating artwork without proper licensing, thereby protecting the livelihoods of illustrators who already face pressures from AI‑generated content and rising living costs. Moreover, the episode underscores the importance of clear communication and consent when public figures or organisations wish to utilise artistic works, reminding all stakeholders that respect for intellectual property is not a partisan issue but a fundamental aspect of creative fairness.

Share This Article
Emma Richardson brings nine years of political journalism experience to her role as Deputy Political Editor. She specializes in policy analysis, party strategy, and electoral politics, with particular expertise in Labour and trade union affairs. A graduate of Oxford's PPE program, she previously worked at The New Statesman and Channel 4 News.
Leave a Comment

Leave a Reply

Your email address will not be published. Required fields are marked *

© 2026 The Update Desk. All rights reserved.
Terms of Service Privacy Policy