Kristen Stewart Breathes New Life into Historic Highland Theatre in LA

Ben Thompson, Culture Editor
5 Min Read
⏱️ 4 min read

In a bold move for community revitalisation, Oscar-nominated actress Kristen Stewart has officially acquired the historic Highland Theatre in Los Angeles, which had been shuttered since early 2024. Stewart aims to transform the long-neglected venue into a vibrant community space, breathing new life into a cultural landmark that has stood since 1925.

A Passion for Preservation

Stewart’s fascination with dilapidated theatres inspired her to pursue the Highland Theatre, which she described as a serendipitous discovery. “I didn’t realise I was looking for a theatre until this place came to my attention. Then it was like a gunshot went off and the race was on. I ran toward it with everything I had,” she revealed in an interview with *Architectural Digest*. Her enthusiasm for the project reflects a broader trend among Hollywood figures who are taking active roles in preserving the cinematic heritage of Los Angeles.

Originally designed by Lewis Arthur Smith, the Highland Theatre operated for nearly a century, serving as a vaudeville and silent film house before transitioning to mainstream cinema. The theatre was ultimately divided into three separate screens in the 1980s. Its final owner, Dan Akarakian, cited the pandemic’s lasting impacts on the industry as the reason for its closure on 29 February 2024, just shy of its 99th anniversary.

“Something for the Community”

Stewart envisions the restored venue as a place for local gatherings and creative collaboration. “It’s an opportunity to make a space to gather and scheme and dream together,” she explained. “This project is about creating a new school and restructuring our processes, finding a better way forward.” She expressed a commitment to making the theatre a welcoming environment, stating, “It’s not just for pretentious Hollywood cinephiles. I see it as an antidote to all the corporate bulls***, a place that takes movie culture away from just buying and selling.”

Despite the challenges ahead, Stewart is eager to embrace the intricate details that make the theatre special. “There are so many beautiful details that need to be restored,” she acknowledged. Her ambitious vision includes not only honouring the theatre’s rich history but also introducing fresh elements that resonate with contemporary audiences and the local community.

Joining the Ranks of Cinema Preservationists

Stewart’s efforts place her alongside other notable figures in the film industry who have worked to protect Los Angeles’ cinematic heritage. Quentin Tarantino, for instance, purchased the New Beverly Cinema in 2007 and the Vista Theatre in 2021, ensuring these venues remain dedicated to the art of film. In a similar vein, a consortium of investors including filmmakers Jason Reitman, Steven Spielberg, and Bradley Cooper acquired the Village Theatre in 2022 to prevent its redevelopment.

In a recent interview promoting her directorial debut, *The Chronology of Water*, Stewart shared her frustrations regarding the current political climate in the United States. She expressed concern over the implications of policies such as Donald Trump’s proposed tariffs on foreign films, stating, “Reality is breaking completely under Trump… But we should take a page out of his book and create the reality we want to live in.”

Why it Matters

Stewart’s acquisition of the Highland Theatre is more than just a personal project; it represents a rallying cry for community engagement and cultural preservation in a time of rapid change. By repurposing a historic venue, she aims to foster creativity and inclusivity, creating a space that stands in stark contrast to the corporate-driven narratives often dominating the entertainment landscape. This initiative not only revitalises a once-vibrant theatre but also strengthens the cultural fabric of Los Angeles, reminding us all of the power of community and the arts.

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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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