Paddington Bear’s West End Adventure: Behind the Scenes with Costume Designer Tahra Zafar

Ben Thompson, Culture Editor
5 Min Read
⏱️ 4 min read

Paddington Bear has made a delightful leap from page to stage, captivating audiences with his charm in the recent West End musical. With rave reviews pouring in since its December debut at the Savoy Theatre, the show’s success is not only due to its nostalgic storytelling but also to the lifelike puppet brought to life by costume designer Tahra Zafar. As she reflects on the overwhelming public response, Zafar shares the creative journey behind crafting this beloved bear.

The Magic of Puppet Design

Tahra Zafar, renowned for her work in costume and creature effects, has a rich history in the industry, including her notable role in the 2012 London Olympics. Her recent venture into the world of Paddington Bear has been met with excitement and acclaim. During an appearance on Radio 4’s Desert Island Discs, Zafar revealed that the design process for the puppet was an extensive journey, involving meticulous research and inspiration drawn from various sources.

“It has been a long project of research, getting him right, looking at different inspirations,” Zafar explained. As the team prepared to unveil Paddington to the world, she admitted to feeling a mix of nerves and pride. “We were just taking stock and thinking, we’re about to show him to the world, and he’s not gonna be ours anymore. I really was overwhelmed by the response.”

A Collaborative Performance

The magic of Paddington Bear is brought to life through a dynamic two-person performance. James Hameed operates as the remote puppeteer, controlling Paddington’s expressions and voice, while Arti Shah embodies the character on stage. This collaborative approach has added depth to the character, allowing audiences to connect with Paddington in a unique and engaging manner.

Zafar elaborated on the complexity of the puppet design, noting the delicate balance they aimed for: “We created this quite delicate bear who left a few gaps in your imagination. He’s not quite real, he’s not quite a toy. He’s sort of something in the middle.” This ambiguity allows the audience’s emotions to fill in the blanks, enhancing the overall experience of the performance.

A Storied Career

Zafar’s impressive portfolio also includes the creation of costumes for the first Harry Potter film and leading the costume team for the Eurovision Song Contest 2023 in Liverpool. Her experience with high-profile events has honed her skills in managing large-scale productions, yet her encounter with the late Queen Elizabeth II during the Olympics remains a standout memory.

Recalling the process of designing a wig for the Queen’s James Bond sketch, Zafar shared, “We had these hair samples and we had to match them. The light wasn’t very good, and we all had to shuffle over into the bay of the window with the late Queen there, and she was very game.” The project showcased not only her talent but also the collaborative spirit of the production teams behind iconic events.

Looking Forward

With Paddington Bear now charming audiences on the West End, Zafar’s creative vision and dedication to her craft are evident. The musical stands as a testament to the power of storytelling and the affection that the character has garnered over the years. As audiences continue to embrace this beloved bear, the production promises to leave an indelible mark on theatre-goers of all ages.

Why it Matters

The success of Paddington The Musical highlights the importance of nostalgia in contemporary culture, illustrating how beloved characters can bridge generations. The enchanting design and performance breathe new life into a classic tale, reminding us of the comfort and joy found in stories that resonate with our shared experiences. As we navigate a world that often feels chaotic, the presence of a polite, furry bear serves as a gentle reminder of kindness and connection—a lesson that is perhaps more crucial now than ever.

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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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