Bad Bunny Set to Make History at Super Bowl LX Halftime Show

Ben Thompson, Culture Editor
4 Min Read
⏱️ 3 min read

In a groundbreaking moment for the music industry, Bad Bunny is poised to headline the Apple Music Super Bowl LX halftime show on February 8, 2026, at Levi’s Stadium in Santa Clara, California. As the Seattle Seahawks go head-to-head with the New England Patriots for the NFL championship, the Puerto Rican superstar will take centre stage, promising an electrifying performance that will resonate with a global audience.

A Historic Performance

The anticipation surrounding Bad Bunny’s performance is palpable. As the first Spanish-language artist to headline the Super Bowl halftime show solo, he brings with him a wealth of chart-topping hits and an array of high-profile collaborators. The 31-year-old artist, born Benito Antonio Martínez Ocasio, recently teased fans with a simple yet evocative message in a promo clip: “The world will dance.”

Fresh off a monumental win for Album of the Year at the 68th Grammy Awards, Bad Bunny has faced scrutiny from some quarters, particularly from MAGA supporters who disapproved of his previous critiques of Donald Trump’s immigration policies. Yet, the NFL is banking on his ability to unite audiences, especially in a politically charged atmosphere.

Setlist Predictions

As fans eagerly await the show, music editor Roisin O’Connor has compiled a setlist forecast based on Bad Bunny’s recent performances and popular tracks. Likely candidates for the halftime show include hits such as “EoO,” “BAILE INoLVIDABLE,” “Callaita,” and “Tití Me Preguntó.” Notably, “Baile Inolvidable” featured in Bad Bunny’s teaser clip, while “EoO” recently claimed the Grammy for Best Global Music Performance, making both tracks strong contenders for the setlist.

His latest album, Grammy-winning *Debí Tirar Más Fotos*, is also expected to feature prominently, ensuring a dynamic medley that showcases his musical range.

Speculated Guest Stars

In true Super Bowl tradition, fans can expect surprise appearances from notable artists. Rumours suggest that Cardi B, with whom Bad Bunny performed the 2018 hit “I Like It,” is almost certain to join him on stage. She is anticipated to be in attendance to support her partner, Patriots wide receiver Stefon Diggs.

Other potential guest stars include Rosalía, with whom Bad Bunny collaborated on the sultry duet “La Noche de Anoche,” and reggaeton icon Daddy Yankee. While J Balvin has expressed his support for Bad Bunny, he has downplayed speculation about joining the performance. Additionally, names like Ozuna, Ricky Martin, and Chenco Corleone have surfaced as possible surprise guests, setting the stage for a star-studded event.

The Cultural Significance

Bad Bunny’s Super Bowl performance isn’t merely an entertainment spectacle; it symbolizes a significant cultural moment. As he prepares to represent the Latino community on such a prominent platform, his words resonate deeply: “More than an achievement of mine, it’s an achievement of everyone.” This performance will not only bolster his career but also shine a light on the contributions of Latin artists within the mainstream music landscape.

Why it Matters

Bad Bunny’s appearance at the Super Bowl halftime show marks a pivotal moment in the history of live entertainment, reflecting broader social shifts towards inclusivity and representation. As he breaks barriers and challenges norms, his performance serves as a beacon of hope and empowerment for many, reinforcing the idea that music transcends language and cultural divides. In an era defined by division, Bad Bunny’s commitment to uniting audiences through rhythm and melody is a reminder of the unifying power of art.

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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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