Maryam d’Abo Reflects on Bond, the Art of Storytelling, and Her New Stage Role

Ben Thompson, Culture Editor
6 Min Read
⏱️ 4 min read

In a poignant exploration of creativity and the complexities of fame, Maryam d’Abo, best known for her role as Kara Milovy in “The Living Daylights,” discusses her latest theatrical venture while candidly reflecting on her career in the shadow of the iconic 007 franchise. As she prepares to star in Alba Arikha’s compelling drama “Spanish Oranges,” d’Abo shares her insights into the evolving portrayal of women in film and the nuanced dilemmas faced by artists today.

A New Stage and Old Shadows

“Spanish Oranges,” a gripping play that delves into the intricacies of artistic creation and the toll of fame on personal relationships, opens with a fraught exchange between a celebrated author and a probing journalist. The protagonist, Fiona, becomes visibly uncomfortable when her life and work blur during the interview, a theme that resonates deeply with d’Abo, who joins Arikha for a virtual conversation from London.

“Of course, I’m wary of journalists,” d’Abo notes with a warm smile, reflecting on her experiences in the media spotlight as a young actress. In her early days as a Bond girl, she encountered the sometimes unforgiving scrutiny of the press. “I was quite shy and inexperienced. You pour your heart out, only to find it twisted in print,” she recalls, adding that despite the challenges, she holds no regret about her time with the franchise. “It was a beautiful experience, like being part of a family. I take responsibility for my own confidence issues, but Bond certainly shaped my journey.”

The Evolution of Women in Film

In her career retrospective, d’Abo highlights the significant shifts in how female characters are portrayed in the Bond universe. From her character, a cello-playing sniper, to the more empowered roles in modern films, she observes a gradual yet important transformation. “There were scenes that now seem unimaginable. Consider how women like Honor Blackman and Maud Adams were treated in earlier films. Today, such portrayals would be unacceptable,” she explains.

D’Abo’s insights echo through her work on the documentary “Bond Girls Are Forever,” where she examined the trajectory of female roles in the franchise. “I wanted to show the evolution of these characters and their reflection of society. The change has been profound, from cheeky innuendo to characters with depth and agency.”

“Spanish Oranges” intertwines the themes of artistic integrity and marital strife, with Fiona accused of appropriating another’s narrative while her husband, Ivo, faces serious allegations. This poignant narrative raises questions about authenticity in art and the ethical boundaries of storytelling. Arikha, whose background includes a rich tapestry of artistic influence, believes that personal experiences inevitably seep into creative work.

“I think life does inevitably come through in fiction, even if it’s at times unconscious,” Arikha says, highlighting the delicate balance between inspiration and ethical representation. With d’Abo’s background as an actress and producer, the duo brings a wealth of experience to the stage, navigating their own artistic journeys while exploring the broader implications of their characters.

The Importance of Imagination in Storytelling

Both d’Abo and Arikha passionately advocate for the freedom of creatives to explore narratives outside their own experiences. “Artistic expression should not be confined to personal experience alone,” d’Abo argues, reflecting on a past project that faced criticism for not casting a gay actor in a gay role. “It stifles creativity and the potential for rich storytelling.”

Arikha concurs, adding, “Without our imagination, what stories can we tell? If we limit ourselves, we lose the essence of what art can achieve. Imagine if Tolstoy had only written about his own life—would we have the same depth in ‘War and Peace’?” Their dialogue underscores a fundamental belief in the power of empathy and imagination in the creative process.

“Spanish Oranges” will be staged at the Playground Theatre in London from 11 February to 7 March, promising audiences a thought-provoking exploration of the interplay between art and life, and the intricacies of human relationships.

Why it Matters

D’Abo’s reflections on her career and the evolving landscape of women in film highlight the significance of representation and the necessity of nuanced storytelling in the arts. As the boundaries of creativity stretch and adapt, her insights remind us that the world of storytelling is not merely a reflection of our experiences, but a canvas for imagination, empathy, and understanding. This dialogue is crucial as we navigate an increasingly complex cultural landscape, where the narratives we choose to tell shape our collective consciousness and societal norms.

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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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