In a stunning performance at Super Bowl LX, Bad Bunny transcended conventional notions of American identity, presenting a vision that celebrates the rich cultural tapestry of the Americas. The Puerto Rican superstar’s electrifying 14-minute set not only captivated audiences but also sparked vital conversations about colonial legacies and national identity, culminating in a powerful statement on the significance of Puerto Rico within the broader American context.
A Celebration of Culture
At the heart of Bad Bunny’s performance was a celebration of Puerto Rican heritage, exemplified by the poignant moment when the cuatro puertorriqueño, a traditional stringed instrument, graced the stage. In the capable hands of cuatrista José Eduardo Santana, the cuatro became a symbol of pride for Puerto Ricans, reminding viewers of the island’s rich musical history. The moment was a surprise highlight, showcasing the instrument in a global arena and inviting reflections on what it means to have a national instrument while being classified as a colony.
Bad Bunny, born Benito Antonio Martínez Ocasio, has long been an advocate for Puerto Rican independence. His performance was underscored by the light blue flag of Puerto Rico, a symbol of his political stance. In his discography, he has consistently challenged the status quo, with tracks like “La Mudanza” invoking the legacy of Puerto Rican educator Eugenio Maria de Hostos, who envisioned a united Americas. Although he didn’t perform this song during the halftime show, its themes resonated throughout the performance.
Redefining American Citizenship
During the show, Bad Bunny made a bold statement by leading a parade of flags, placing the United States alongside its Latin American neighbours. As he declared, “God Bless América,” he articulated a vision of American identity that is inclusive and multifaceted. This act of solidarity with neighbouring countries challenges the narrow definition of “American” often perpetuated by US-centric narratives.
For many Puerto Ricans, the language surrounding their identity can be fraught. Terms like “territory” or “commonwealth” obscure the reality of Puerto Rico’s colonial status. The notion that Puerto Ricans are merely “fellow Americans” within the colonial framework is a perspective that many find reductive and patronising. Bad Bunny’s performance provided an opportunity to confront these narratives, framing Puerto Rico not as a mere extension of the US but as a vital part of a larger cultural continuum.
The Response to Criticism
In the lead-up to the Super Bowl, some critics questioned Bad Bunny’s status as an “American artist.” The response from supporters highlighted an important truth: Puerto Rico, while a colony, is undeniably part of the American landscape. The backlash against these critics underscored a growing recognition that the term “American” should encompass the entire hemisphere, reflecting the diverse identities that exist within it.
Rather than shying away from the complexity of his identity, Bad Bunny embraced it, inviting audiences to rethink their understanding of what it means to be American. His performance was not merely entertainment; it was a joyous reclamation of cultural identity, asserting that Puerto Rico is an integral part of the Americas.
Why it Matters
Bad Bunny’s Super Bowl performance was more than a musical showcase; it was a resonant cultural statement that challenged the entrenched narratives surrounding American identity. By placing Puerto Rico within the context of a shared hemispheric heritage, he opened a dialogue about colonialism, identity, and belonging. This moment serves as a reminder that the definition of “America” is far more expansive than the borders of the United States, and it urges us all to embrace a more inclusive understanding of what it means to be part of this diverse hemisphere.
