Heated Rivalry’s Jacob Tierney Assures Fans: Season Two Will Stay True to Its Roots

Ben Thompson, Culture Editor
5 Min Read
⏱️ 4 min read

In a reassuring message to fans of the popular series *Heated Rivalry*, director Jacob Tierney has confirmed that the highly anticipated second season will maintain the same essence that captured audiences during its debut. Since its launch on Crave in Canada and the US last year, the show has become a cultural sensation, recently landing on HBO in the UK, where its viewership has surged by over 100% since the finale aired in December.

A Story of Passion and Rivalry

Based on Rachel Reid’s *Game Changers* book series, *Heated Rivalry* chronicles the tumultuous romance between two star players in Major League Hockey: Shane Hollander, portrayed by Hudson Williams, and Ilya Rozanov, played by Connor Storrie. What begins as a clandestine affair evolves into a complex relationship as they grapple with their feelings for one another. The show not only explores themes of love and rivalry but also features an eclectic soundtrack that has piqued the interest of fans, particularly through its striking use of music, including a memorable club scene featuring t.A.T.u’s 2002 hit “All the Things She Said”.

Tierney’s Commitment to Authenticity

In a recent conversation on the *Good Vibrations* podcast, Tierney addressed concerns from fans about the potential impact of the show’s success on its future direction. “I can reassure everyone – I really don’t have a lot more money for season two,” he stated, emphasising that the show’s philosophical approach will remain unchanged. He expressed a desire to continue incorporating music that resonates with the audience, rather than relying on commercially popular hits that could overshadow the narrative. “If a song comes with too much of its own collective memory, then it’s doing too much of the work,” he explained. “I still want the show to do the work and the song to accentuate it.”

Breaking the Norm: Sex and Storytelling

A notable aspect of *Heated Rivalry* is its portrayal of intimacy between Shane and Ilya. Tierney highlighted the positive reception of the show’s sex scenes, attributing their success to a growing fatigue with the graphic depictions of sexual violence prevalent in contemporary media. “That’s what we want less of – stop starting your story with the rape and murder of a young woman,” he remarked. Instead, the series presents a more nuanced depiction of sexuality, where intimacy serves as a vital means for the characters to connect and understand one another.

The director pointed out that sex is integral to their relationship development, providing a space for vulnerability that often eludes them in conversation. “When they talk, they’re kind of blustering… when they’re having sex they can be vulnerable,” he noted. This approach not only humanises the characters but also enriches the storytelling, inviting viewers to witness their growth in a more authentic manner.

The Road Ahead

As Tierney prepares for the next season, he is excited about the creative process and has even begun curating a new playlist to inspire his writing. The upcoming episode of *Good Vibrations*, featuring a discussion with original score composer Peter Peter, is set to release on 13 February, offering further insights into the music that shapes *Heated Rivalry*.

Why it Matters

The commitment to authenticity and emotional depth in *Heated Rivalry* reflects a broader shift in media narratives surrounding LGBTQ+ relationships. By prioritising genuine connection over sensationalism, the series sets a precedent for how love and rivalry can be depicted with sensitivity and complexity. Tierney’s dedication to maintaining the show’s core values not only reassures fans but also serves as a reminder of the importance of thoughtful storytelling in an era often dominated by superficial portrayals.

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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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