Arundhati Roy’s Timeless Classic Returns: A Reflection on Youth and Dissent in India

Sophie Laurent, Europe Correspondent
5 Min Read
⏱️ 4 min read

In a remarkable revival, “In Which Annie Gives It Those Ones,” the iconic 1989 television film penned by Booker Prize-winning author Arundhati Roy, is set to premiere in a restored version at the Berlinale Classics section of the 2026 Berlin International Film Festival. Nearly four decades after its debut on India’s Doordarshan, this poignant portrayal of student life in Delhi will also be screened in selected cinemas across India in March, made accessible to younger audiences through affordable ticket pricing.

A Glimpse into Student Life in Delhi

Set against the backdrop of a sticky Delhi afternoon in the late 1980s, the film follows a group of architecture students grappling with their futures in a city that feels perpetually under construction. Idealistic yet impatient, they navigate the complexities of their educational journey with a blend of wit and disillusionment. The film’s protagonist, Anand “Annie” Grover, is portrayed as an endearing character caught between grand ambitions and a chronic tendency to procrastinate. With dreams of transforming India through whimsical schemes, he epitomises the youthful spirit of defiance and creativity.

Roy, who appears in the film as the character Radha, encapsulates the essence of the collegiate experience in a time when cultural expressions were flourishing. The narrative’s charm lies in its unvarnished depiction of student life—messy hostel rooms, animated debates on topics ranging from architecture to philosophy, and a carefree irreverence towards authority figures.

A Cultural Milestone

Described as India’s first English-language feature, “Annie” occupies a unique space in the country’s cinematic landscape. The film strikes a balance between local authenticity and a global sensibility, showcasing the distinctive dialect of English that emerged among students at the time. According to Shivendra Singh Dungarpur, Director at the Film Heritage Foundation, the film’s dialogue and character portrayals resonate deeply with audiences, making it a significant cultural artefact.

Originally broadcast on Doordarshan, the film quickly became a cult classic, especially among architecture students and cinephiles who cherished its candid representation of their lives. Despite its initial obscurity, “Annie” garnered acclaim, winning two National Awards for best screenplay and best English-language feature shortly after its release.

The Restoration Journey

The restoration of “In Which Annie Gives It Those Ones” began serendipitously when filmmaker Pradip Krishen unearthed forgotten scripts and materials while relocating. Recognising the film’s cultural importance, he collaborated with Dungarpur to undertake the meticulous restoration process, which involved recovering faded colours and remastering the soundtrack.

As Dungarpur noted, the film’s revival is not merely a technical achievement; it also reignites conversations around the themes of rebellion, hope, and the quest for identity that remain relevant in contemporary discourse.

A Message for Today’s Audience

While the film is undoubtedly a product of its time, the issues it addresses—bureaucracy, institutional power, and the struggle for individuality—continue to resonate in today’s society. Dungarpur emphasised that the film’s themes have not aged as one might expect; instead, they serve as a mirror reflecting ongoing societal challenges.

As younger viewers prepare to experience “Annie,” they are offered a glimpse into a vibrant past filled with creativity and critical thought. The film’s inherent levity and celebration of youthful exuberance provide a counterpoint to the often serious tones of contemporary narratives. As Krishen aptly remarked, the film embodies a spirit of joy and nonconformity, inviting audiences to reflect on their own experiences and the systems that continue to shape their lives.

Why it Matters

The revival of “In Which Annie Gives It Those Ones” is significant not only for its artistic merit but also for its ability to foster dialogue among generations. It serves as a reminder of a time when youth culture was celebrated and critiqued in equal measure, encouraging students to question the status quo with humour and hope. As audiences today face their own challenges, this film offers a poignant reflection on the enduring nature of youth and the power of dissent, making it a vital cultural touchstone in the modern landscape.

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Sophie Laurent covers European affairs with expertise in EU institutions, Brexit implementation, and continental politics. Born in Lyon and educated at Sciences Po Paris, she is fluent in French, German, and English. She previously worked as Brussels correspondent for France 24 and maintains an extensive network of EU contacts.
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