A Cinematic Love Letter: Ṣọpẹ́ Dìrísù’s My Father’s Shadow Celebrates Nigerian Identity

Ben Thompson, Culture Editor
5 Min Read
⏱️ 4 min read

Ṣọpẹ́ Dìrísù, the acclaimed star of Gangs of London, is set to captivate global audiences with his heartfelt new film, My Father’s Shadow. Premiering at Cannes, this Bafta-nominated project intertwines personal and cultural narratives, reflecting on the deep bonds of family against the backdrop of Nigeria’s political turmoil in the early 1990s. Dìrísù’s journey through this film not only showcases his talent but also speaks volumes about the importance of cultural representation in cinema.

Embracing Heritage Through Film

In a recent conversation, Dìrísù effortlessly transitions between his polished inner-city London dialect and a smooth Nigerian accent, embodying the essence of his heritage. His decision to immerse himself in My Father’s Shadow stems from a desire to celebrate his Nigerian roots. “Working in Nigeria was crucial for me,” he explains, reflecting on the film’s eight-week shoot in Lagos, the former capital. “It was wonderful to reconnect with my family and tell a story so intimate and beautifully crafted.”

The film, set against the backdrop of Nigeria’s 1993 election crisis, is inspired by the creators’ relationship with their late father, who passed away from epilepsy when they were infants. Dìrísù portrays Fọlárìn, a father navigating a fraught journey with his sons amidst political unrest. “At its core, the film explores the themes of fatherhood, loss, and connection,” he notes, highlighting the emotional depth of the narrative.

A Personal Connection to Fatherhood

Fatherhood is a recurring theme in Dìrísù’s work, manifesting in various forms throughout his filmography. From his role in the Netflix horror film His House to his character in Gangs of London, the actor grapples with the complexities of parental relationships. “As someone who aspires to be a parent, these questions about family are always present in my mind,” he admits.

During the filming of My Father’s Shadow, Dìrísù formed a bond with his co-stars, the Egbo brothers, that extended beyond the screen. “Developing our dynamic off-screen was essential,” he shares, recalling moments of teaching them swimming and providing guidance on acting techniques. This nurturing spirit not only enriched their performances but also mirrored the fatherly themes explored in the film.

Bridging Cultural Gaps

While Dìrísù identifies as a Nigerian of the diaspora, he is keenly aware of the nuances that come with such an identity. He dedicated considerable effort to learn Yoruba, enrolling in 30 hours of lessons to prepare for his role. “I want to communicate with my ancestors,” he expresses, underscoring the significance of language in bridging cultural divides.

My Father’s Shadow has garnered attention not only for its narrative but also for its linguistic diversity, incorporating Yoruba, Pidgin, and English. Dìrísù finds joy in the film’s ability to resonate globally, stating, “It’s reaching audiences in places like Korea, and that’s a testament to the power of storytelling.”

Despite the accolades surrounding the film, including its selection for the Cannes Official Selection, Dìrísù remains grounded, urging recognition for the wealth of Nigerian cinema that often goes overlooked. “There’s a tendency to forget the quality and richness of Nigerian films,” he cautions, advocating for a broader appreciation of diverse narratives.

Why it Matters

My Father’s Shadow is more than just a film; it is a cultural milestone that invites audiences to engage with narratives often sidelined in mainstream cinema. By intertwining personal stories with universal themes of loss and connection, Dìrísù and the film’s creators have crafted a powerful testament to the resilience of identity. As the world becomes increasingly interconnected, the need for authentic representation in storytelling is paramount, and this film stands as a beacon of hope and inspiration for future generations of filmmakers. With its release, Dìrísù not only brings attention to Nigerian cinema but also calls for a global recognition of its significance in the rich tapestry of film history.

Share This Article
Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
Leave a Comment

Leave a Reply

Your email address will not be published. Required fields are marked *

© 2026 The Update Desk. All rights reserved.
Terms of Service Privacy Policy