Artists Must Take a Stand, Says Southbank Centre Chair Misan Harriman

Zoe Martinez, Arts Correspondent
5 Min Read
⏱️ 4 min read

In a compelling call to action, Misan Harriman, chair of the Southbank Centre and renowned photographer, has urged artists to engage politically through their work. As society grapples with pressing issues from climate change to human rights, Harriman asserts that the role of the artist transcends mere entertainment. His remarks come in conjunction with his participation in the upcoming Together For Palestine auction, where proceeds will directly support humanitarian efforts in Gaza.

Art as a Reflection of Society

Harriman, who has gained recognition for his poignant photography capturing moments of social significance, emphasised the necessity for creatives to mirror the societal landscape in which they operate. “You can either be an artist or an entertainer,” he declared, firmly positioning himself on the side of those who wish to provoke thought and dialogue rather than simply amuse. This philosophy is particularly relevant as the world faces an array of crises, with artists possessing a unique platform to foster understanding and compassion.

The Together For Palestine auction, which features works from prominent figures like Grayson Perry and Es Devlin, aims to raise funds for organisations providing vital aid in the region. Harriman’s contribution, a striking piece titled *Brothers in Protest*, depicts a Muslim man and a Jewish man united in their call for peace—a striking image that Harriman describes as “one of the most important” he has ever created.

Bridging Divides Through Art

The photographer conveyed the emotional weight this image carries, noting that it has moved people from both communities to tears. “So much of the discourse in our press is about keeping us on islands of rage,” he lamented. By showcasing solidarity between Muslims and Jews, Harriman believes art can transcend divisive narratives, reminding us of our shared humanity.

In an age dominated by social media, where negative sentiments often thrive, Harriman urges a return to a more organic connection with art. He criticises platforms like X (formerly Twitter) for their tendency to amplify anger, advocating instead for the introspective experience offered in galleries and museums. “This is the original human algorithm,” he asserted, highlighting the importance of engaging with art in a manner that promotes reflection rather than outrage.

The Political Responsibility of Artists

Harriman’s views sharply contrast with those expressed by Wim Wenders, president of the Berlin Film Festival jury, who recently suggested filmmakers should refrain from political engagement. Harriman vehemently disagrees, pointing out that even light-hearted films often contain political undertones. Citing *The Sound of Music*, he recalls how, even as a child, he recognised the socio-political context of the story.

“Art must reflect the times we live in,” he reiterated, aligning his perspective with the sentiments of legendary artist Nina Simone. For Harriman, avoiding political discourse in art is not just a missed opportunity; it is a disservice to both the artist and the audience. He believes that every individual, whether an artist or not, possesses tools—be it a camera, a paintbrush, or even a simple conversation—that can contribute to community healing and understanding.

The Auction: A Call to Action

The Together For Palestine auction, running from 27 March to 9 April, is not merely an exhibition; it is a clarion call to the art community and beyond. Set to take place at the HOPE93 Gallery in London, the event represents a significant opportunity for artists to leverage their influence in support of humanitarian initiatives. Harriman’s involvement signifies a broader movement among artists who refuse to remain silent in the face of injustice.

Why it Matters

Harriman’s passionate advocacy highlights a crucial intersection between art and activism, reminding us that creativity can serve as a powerful tool for social change. In a world rife with division and turmoil, his insistence that artists must take a political stand is not just a plea for engagement; it is a vital reminder that art has the potential to heal, unite, and inspire action. As the Together For Palestine auction approaches, it becomes evident that the role of the artist is not merely to entertain, but to challenge and uplift, paving the way for a more compassionate future.

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Zoe Martinez is an arts correspondent covering theatre, visual arts, literature, and cultural institutions. With a degree in Art History from the Courtauld Institute and previous experience as arts editor at Time Out London, she brings critical insight and cultural expertise to her reporting. She is particularly known for her coverage of museum politics and arts funding debates.
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