Double Oscar Nominee Geeta Gandbhir Makes History with Two Nominations in a Single Year

Zoe Martinez, Arts Correspondent
5 Min Read
⏱️ 3 min read

In an extraordinary twist of fate, Geeta Gandbhir has achieved a remarkable milestone by securing nominations for two Oscars in separate categories for the upcoming Academy Awards. The American filmmaker, recognised for her poignant documentaries, is nominated for Best Documentary Feature for *The Perfect Neighbor* and Best Documentary Short for *The Devil is Busy*. This rare accomplishment places her in an elite group of only five filmmakers throughout the nearly century-long history of the Oscars, and she stands out as the first woman to achieve this feat.

A Thrilling Journey to the Oscars

Gandbhir’s reaction to her nominations was as exhilarating as it was unexpected. “It’s a thrill and an honour,” she expressed during an interview with the BBC, noting that the sheer magnitude of the moment left her “minds kind of blown.” Her nominations are not just accolades; they represent a significant step in her career, one that can open new avenues and bring greater visibility to her work.

The history of double nominations is sparse, with only a handful of filmmakers achieving this honour. Among them is the legendary Walt Disney, who made waves in 1954 by winning four Oscars, including accolades for both documentary categories. Gandbhir now joins this prestigious group, a testament to her talent and dedication to storytelling.

A Unique Approach to the Nominations

In a surprising move, Gandbhir chose to sleep through the announcement of the nominations, a strategy aimed at shielding her from the anxiety that often accompanies such pivotal moments. “It’s anxiety-inducing to watch the actual announcements,” she admitted, reflecting on past experiences. Instead of waiting with bated breath, she opted for a more restful approach, only to be awakened by her husband’s jubilant celebrations, marking the joyous news.

A Unique Approach to the Nominations

When questioned whether she had prepared speeches for both potential wins, she responded with humour, saying, “Touch wood,” indicating her hopefulness while remaining grounded. Should she win for *The Devil is Busy*, she plans to share the spotlight with her co-director, Christalyn Hampton.

Insight into the Nominated Films

*The Devil is Busy*, now available on HBO Max, provides a compelling look at a day inside an abortion clinic in Atlanta, Georgia. Through the perspective of a security guard, the documentary reveals the chilling realities faced by both staff and patients amidst the evolving political climate in the United States.

Conversely, *The Perfect Neighbor*, streaming on Netflix, utilises police body cam footage to unravel the tragic story of a young mother who was murdered by a woman who had repeatedly called law enforcement out of concern for children playing in her vicinity. Each film tackles critical social issues, shedding light on the often-overlooked narratives that resonate deeply within contemporary society.

Recognising a Historic Accomplishment

Gandbhir’s achievements are a testament to her perseverance and the power of documentary filmmaking. The six individuals who have received nominations in both the feature and short documentary categories underscore the rarity of this occurrence. The list includes notable figures such as Eric Nyari and Cate Blanchett, but Gandbhir’s distinction as the first woman to be nominated in this way marks a significant moment for female representation in the industry.

Recognising a Historic Accomplishment

Why it Matters

Geeta Gandbhir’s double Oscar nominations are not merely personal triumphs; they signify a broader shift within the film industry towards recognising diverse voices and narratives. Her work amplifies crucial social issues, challenging viewers to confront uncomfortable truths about society. As she prepares for the Oscars, her achievements serve as an inspiration to aspiring filmmakers, particularly women, highlighting the importance of resilience and the transformative power of storytelling in shaping cultural discourse.

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Zoe Martinez is an arts correspondent covering theatre, visual arts, literature, and cultural institutions. With a degree in Art History from the Courtauld Institute and previous experience as arts editor at Time Out London, she brings critical insight and cultural expertise to her reporting. She is particularly known for her coverage of museum politics and arts funding debates.
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