Sage Ni’Ja Whitson, a Black nonbinary artist, has embarked on a poignant journey across the United States to memorialise the lives of Black trans individuals who have tragically died by murder or suicide from 2018 to 2025. Their exhibition, *These Walking Glories*, currently showcased at the California African American Museum in Los Angeles, serves as a moving testament to the violence faced by racial and gender minorities. Whitson’s work, which spans 91 locations across 15 states, resonates deeply at a time when systemic oppression against trans communities has reached alarming heights.
A Journey of Remembrance
From 2021 to 2025, Whitson travelled extensively, visiting sites where trans, gender nonconforming, or intersex individuals met untimely ends. Each location became a sacred space as Whitson conducted personal ceremonies to honour the memories of those lost. “It was very challenging in ways that I’m continuing to mend from and rest with,” they reflected. “It is not ‘inexpensive’ on my body and spirit. That cost I knew would be there.”
The exhibition features an evocative series of 90 pedestals, each dedicated to a different individual. Atop each pedestal rests a jar containing essences crafted from materials collected at the corresponding site, along with a velvet stole inscribed with the name of the deceased. Notably, two pedestals remain nameless, symbolising the countless individuals whose identities have been erased.
Crafting a Ceremonial Experience
Whitson meticulously designed each pedestal to stand 61 inches tall, encouraging audiences to pause and engage thoughtfully with the memorials. “It was an important decision so that there would be a reverential distance,” they explained, drawing inspiration from Yoruba traditions in which shrines are often inaccessible to the uninitiated. This intentional height invites viewers to reflect on the significance of each life commemorated.
To create the essences for the jars, Whitson gathered natural materials at the memorial sites, employing their skills in herbalism. The process involved performing various rites, including seeking permission from the land and making offerings of herbs, sage, and tobacco. “I developed a protocol that was mostly repeated at each site, with variations based on what the spirit called at each space,” Whitson shared, emphasising the spiritual depth of their practice.
Engaging with Local Communities
An integral aspect of Whitson’s work is their connection with local transgender communities. Wherever possible, they facilitated story-sharing circles, allowing Black trans, gender nonconforming, and intersex individuals to recount their experiences in a society that often marginalises them. These gatherings fostered a sense of community and resilience, intersecting with local initiatives aimed at uplifting trans lives.
“It really became important that the work needed to celebrate the lives and stories of the living while also honouring the losses,” Whitson noted, showcasing the duality of their mission. By weaving these narratives together, the artist has created a vibrant tapestry of remembrance and hope.
An Urgent Call for Awareness
Whitson’s work arrives at a crucial juncture in the current socio-political landscape, where trans individuals face increasing hostility from both federal and state governments. Recent reports from the Human Rights Campaign have classified the violence against trans people as an “epidemic,” with Black trans women particularly vulnerable. In this context, Whitson’s memorialisation takes on an even greater significance.
“Now when trans people are experiencing a government attempt to erase our identities, it’s another kind of death,” Whitson lamented. “It feels more than important to be doing this now, and I hope it’s done in a way that it’s not about the spectacle or glorifying the violence of their losses but to really centre the spirit of memory.”
A New Path Forward
Sage Ni’Ja Whitson’s *These Walking Glories* not only serves as an artistic expression but also as a catalyst for personal growth. Engaged in a residency at CAAM since 2022, Whitson has discovered newfound courage and commitment to their vision. “I’ve learned the value and beauty of what can happen when that vision is respected and honoured,” they expressed.
Cameron Shaw, executive director of CAAM, echoed this sentiment, highlighting the museum’s dedication to supporting Black artistic practices that foster healing and understanding. Despite the emotional and financial toll of their travels, Whitson remains steadfast in their mission. “Building the spiritual vitality of trans communities – of Black trans communities – is worthy work that’s important to our survival,” they asserted.
*These Walking Glories* will be on display at the California African American Museum until 5 April, inviting all to experience this profound homage to those who have been lost and to engage in a dialogue about the ongoing struggles faced by trans individuals.
Why it Matters
Whitson’s exhibition is more than just an artistic endeavour; it is a vital reminder of the lives that have been lost to violence and systemic erasure. In an era where trans identities are under siege, Whitson’s work stands as a beacon of resilience, encouraging society to confront uncomfortable truths and to honour the humanity of those who have been silenced. This exhibition not only memorialises the deceased but also galvanises the living, fostering solidarity and hope within the community.
