In his latest offering, *Piss in the Wind*, Joji—known offstage as George Kunusoki Miller—delivers a poignant reflection on the complexities of modern existence. The Japanese-Australian artist’s fourth album is an intricate tapestry of unfinished thoughts and melancholic introspections, encapsulating a sense of longing that resonates deeply with listeners. Released under his independent label, Palace Creek, this album continues to showcase Joji’s evolution from a former YouTube sensation to a serious musician grappling with the weight of contemporary emotional landscapes.
A Sonic Journey Through Incompletion
At first listen, the initial singles like “Pixelated Kisses” and “Last of Dying Breed” may lead one to expect a polished production packed with upbeat energy. However, as the album unfolds over 19 tracks—each clocking in at under three minutes—listeners are met with a hauntingly raw soundscape that reflects the artist’s inner turmoil. Joji’s previous work faced criticism for its perceived underdevelopment, but this time around, the artist seems to embrace that very incompleteness, making it a defining feature of his music.
The album’s introspective nature invites listeners into a world where the themes of stagnation and yearning are palpable. The track “Silhouette Man” reveals Miller’s vulnerability as he likens himself to “a little birdy stuck in the nest,” while the collaboration with Giveon on “Breathing in the Night” further deepens this exploration of emotional isolation.
Collaborations that Enhance the Mood
Joji’s ability to convey complex emotions is amplified through his collaborations with other artists. Notable contributions from the likes of Texan rapper Don Toliver and experimental artist Yeat enrich the album’s sound, blending genres and styles seamlessly. In “Piece of You,” Toliver’s heartfelt delivery complements Joji’s moody piano backing, while on “Fragments,” Yeat’s experimental flair adds a new layer to the album’s emotional palette.
Despite the variety, there remains a consistent thread of melancholy throughout the album. Joji’s songwriting often feels like a conversation with oneself, filled with unfinished thoughts and unresolved feelings. The track “Cigarette,” with its punchy rhythm and repetitive lines, encapsulates this struggle, as he reflects on past decisions and the weight of expectation.
The Gloomy Yet Beautiful Aesthetic
While *Piss in the Wind* may not contain radio anthems similar to “Glimpse of Us,” it is undoubtedly rich in emotional depth. The closing tracks, “Strange Home” and “Dior,” exemplify a gradual thickening of sound, leading to an almost overwhelming sense of futility. Each melody feels like a sigh of resignation, echoing the experience of living in a digital age where connection often feels just out of reach.
Joji’s falsetto on “Can’t See S*** in the Club” illustrates his internal conflict, caught between the chaos of real life and the curated world of the internet. The lyrics reveal a man wrestling with his identity, a common struggle for many in today’s fast-paced society.
Why it Matters
Joji’s *Piss in the Wind* serves as a mirror reflecting contemporary anxieties and the human condition. Its raw, unfinished quality invites listeners to engage with their own feelings of incompleteness and yearning. In a world where perfection is often celebrated, Joji’s embrace of vulnerability highlights the importance of acknowledging our struggles and the beauty found in the unresolved. As he continues to carve out his place in the music industry, Joji reminds us that the journey of self-discovery is as significant as the destination.
