Journey to Mina Mina: Capturing the Spirit of Australia’s Sacred Landscape

Catherine Bell, Features Editor
5 Min Read
⏱️ 4 min read

In the heart of Australia’s Great Sandy Desert lies Mina Mina, a site of profound cultural significance to the Warlpiri people. It’s here, under the relentless sun and amidst the expansive sands, that a group of adventurers embarked on a journey that would intertwine personal connections, cultural heritage, and the essence of spirituality. This expedition, led by Judith Nangala Crispin, not only challenged their physical limits but also deepened their understanding of what it means to belong to the land.

The Call to Adventure

The summer of 2018 marked a pivotal moment for Judith Nangala Crispin and her companions. Under the guidance of Aunty Agnes, a revered elder who had long painted the landscapes of Mina Mina yet had never visited, the group set out from Lajamanu in a convoy of vehicles. Despite the allure of this sacred site, the path was fraught with peril. The absence of roads rendered the journey dangerous, with deep sands and sharp vegetation threatening to derail their mission.

“Let’s do this thing,” Judith said, inspired by Agnes’s unwavering faith in the journey. Little did they know, this adventure would test their resolve and spirit.

Trials in the Desert

The reality of the expedition soon set in. With no water for hundreds of kilometres and the heat soaring to unbearable levels, the group faced dire challenges. The first tyre fell victim to the harsh terrain, and as the sun dipped below the horizon, anxiety crept in. Water supplies dwindled alarmingly and uncertainty loomed. Melinda, an anthropologist on the trip, felt the weight of their precarious situation, while Victoria, the sculptor, battled the flu.

Yet, amidst the adversity, the Warlpiri women maintained a buoyant spirit. As they established camp beneath a protective circle of fires, laughter filled the air. Sonja’s spirited songs about ancestors brought lightness to the moment, reminding everyone of the joy interwoven with their cultural heritage.

An Unexpected Reunion

As dawn broke, the decision to turn back loomed large. They had become disoriented, trapped in a cycle of aimless wandering. Just when hope seemed lost, a familiar face appeared—Teddy, the Mina Mina dancer, sprinting towards them, breathless and determined.

Moments later, Alice, his skin-mother, emerged from the desert with a new supply of water and tyres, having followed the smoke from their campfire. With renewed supplies, the caravan finally made its way to Mina Mina by nightfall, hearts racing with anticipation and relief.

What awaited them was beyond their wildest expectations. The rich red sands of Mina Mina were dotted with towering desert oaks, leading to vast salt lakes that shimmered under the sun.

The Dance of Connection

The next day, the temperature soared to a staggering 51°C, rendering the outside world nearly uninhabitable. Hydration became a complex battle, as the ladies ingeniously drew salt from the nearby lakes to mix with their water.

In the shade of the desert oaks, the Warlpiri women gathered to paint for the ceremony, adorned in traditional body art. Judy, her skin decorated with the markings of Yam Jukurrpa, was the first to step onto the salt flats, followed closely by Agnes, whose legs quivered with a mix of excitement and reverence.

In that moment, as the camera captured their joyous expressions, the hardships of the journey faded away. Agnes danced, her laughter echoing across the salt lakes, embodying the spirit of Mina Mina. The essence of holiness revealed itself in their movements—a testament to love, ritual, and the unbreakable bond to their land.

Why it Matters

This journey to Mina Mina transcends mere adventure; it is a powerful reminder of the importance of cultural heritage and the connections that bind us to the earth. As Judith Nangala Crispin reflects on her experience, it becomes clear that the relationship between people and their land is sacred. Through this pilgrimage, she not only honoured her friendships with the Warlpiri but also reaffirmed the significance of storytelling, community, and the enduring spirit of Indigenous culture. In a world often disconnected from nature, the lessons learned from Mina Mina resonate deeply, reminding us of the sanctity of place and the stories that define us.

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Catherine Bell is a versatile features editor with expertise in long-form journalism and investigative storytelling. She previously spent eight years at The Sunday Times Magazine, where she commissioned and edited award-winning pieces on social issues and human interest stories. Her own writing has earned recognition from the British Journalism Awards.
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