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In a powerful statement on the role of artists in society, Misan Harriman, chair of the Southbank Centre and a celebrated photographer, has urged creatives to reflect the pressing social issues of our time. As part of the upcoming Choose Love’s Together For Palestine auction, Harriman emphasised that artists have a responsibility to use their platforms for activism rather than mere entertainment, particularly in light of ongoing humanitarian crises.
A Call to Action for Creatives
Harriman, known for his poignant imagery capturing moments of civil rights protests, is rallying fellow artists to engage deeply with the world around them. “You can either be an artist or an entertainer,” he stated resolutely. “I have no interest in entertaining.” This assertion comes as he prepares to contribute his work to an auction aimed at supporting humanitarian efforts in Palestine, alongside notable figures such as Grayson Perry and Es Devlin.
The sale, which runs from March 27 to April 9, will feature an exhibition at HOPE93 Gallery in London, with proceeds designated for organisations providing essential relief amidst the ongoing conflict in Gaza. Harriman’s involvement reflects his commitment to using art as a means of advocacy and healing.
Art as a Reflection of Society
The artist’s submission, titled *Brothers in Protest*, captures a powerful scene of solidarity between a Muslim man and a Jewish man calling for peace on the London embankment. Harriman described this image as “one of the most important” he has ever created, underscoring its significance in fostering understanding between communities. “So much of the discourse in our press is about keeping us on islands of rage,” he noted. The photograph serves as a poignant reminder of the humanity that exists between often-fractured communities, offering a glimmer of hope in a time of turmoil.
In a world increasingly dominated by social media, Harriman is concerned about the destructive potential of online platforms that fuel anger and division. “The angriest place I spend time online is X, and it’s algorithmically designed to make you angry,” he explained, advocating for the restorative power of art to counteract this negativity. He believes that engaging with art in physical spaces, such as galleries, allows for a more profound connection and reflection on societal issues.
The Political Nature of Art
Harriman’s views stand in stark contrast to those of Wim Wenders, president of the Berlin Film Festival jury, who recently suggested that filmmakers should remain apolitical. Harriman dismisses this notion as fundamentally flawed. “That’s an oxymoronic statement,” he asserted. Drawing on personal experiences, he recalled how even seemingly light-hearted films, like *The Sound of Music*, convey critical political messages, shaping our understanding of history and human rights.
“Unless you are willing to speak about the political context of your art, you cannot claim to engage in any kind of political discourse,” Harriman stated firmly. His remarks echo the words of Nina Simone, who famously said that to be an artist is to reflect the times in which one lives. For Harriman, this is not just a calling but a moral imperative—one that he believes all artists must embrace.
Mobilising for Change
Harriman’s message extends beyond the realm of professional artists; he encourages everyone to utilise their unique tools to foster community and understanding. “Not all of us have world leaders on speed dial, but we do have the ability to do what we can with what we have access to,” he explained. Whether through art, conversation, or simply choosing to disengage from toxic environments, each individual has a role to play in promoting unity and compassion.
As the Together For Palestine Fine Art Auction approaches, Harriman’s call to action serves as a reminder of the potential for art to transcend barriers and inspire collective action. Through the lens of creativity, he envisions a world where empathy and dialogue prevail over division.
Why it Matters
In an era marked by escalating political tensions and humanitarian crises, Harriman’s appeal for artists to engage with social issues carries significant weight. It challenges creatives to step beyond the confines of entertainment and become active participants in the discourse shaping our societies. By harnessing their talents for advocacy, artists can not only reflect the struggles of our times but also inspire hope and action among communities. Harriman’s vision urges us all to consider how we might use our voices and platforms—whether through art, conversation, or any other means—to build a more inclusive and compassionate world.
