Amidst the swirling chaos of political turmoil and humanitarian crises, Misan Harriman, chair of the Southbank Centre, has boldly called upon artists to rise above mere entertainment and engage deeply with the pressing issues of today. In his view, creators possess a unique responsibility to echo the sentiments of our era through their art, asserting that one can either be an artist or an entertainer—but not both if they aspire to effect meaningful change.
Art as a Catalyst for Change
Harriman, renowned for his evocative photography that captures pivotal moments in civil rights history, is currently participating in the Together For Palestine auction, organised by Choose Love. This initiative features an impressive roster of contributors, including acclaimed artists like Grayson Perry, Es Devlin, and Charlie Mackesy, along with prominent Palestinian creators. The auction aims to raise funds for humanitarian aid in Palestine amidst the ongoing conflict in Gaza, with proceeds supporting organisations delivering essential relief.
The artist’s own contribution, a poignant piece titled “Brothers in Protest,” showcases two men—one Muslim and one Jewish—standing together on the banks of the River Thames, advocating for peace and a ceasefire in Gaza. Harriman describes this work as “one of the most important images” he has ever created, underscoring its emotional resonance. “To have a Muslim-presenting man and a Jewish-presenting man standing as brothers in arms, asking for peace, is crucial,” he remarked, reflecting on the power of visual storytelling to bridge divides.
Embracing the True Essence of Art
In a world increasingly dominated by the superficiality of social media, where platforms often amplify anger and division, Harriman advocates for a return to the roots of human connection through art. He critiques the algorithms that perpetuate negativity online, asserting that engaging with art in spaces like galleries or museums allows individuals to explore their emotions in a more profound manner.
“The angriest place I spend time online is X, which is designed to provoke outrage,” he stated. “Cultural spaces offer a sanctuary where people can reflect on their feelings, free from the toxicity that often permeates our digital interactions.”
Echoing the sentiments of Nina Simone, Harriman contends that artists have an obligation to reflect the times they inhabit. “I have no interest in entertaining,” he declared, emphasising that art should be a tool for building bridges and fostering understanding, particularly in these uncertain times.
A Call to Action for All Creatives
Harriman encourages not only artists but all individuals to engage in meaningful dialogue and utilise their resources to effect change. “Not all of us have world leaders on speed dial, but we can all contribute with the tools we possess,” he stated. “Whether it’s a camera, a paintbrush, or even a simple conversation, we all have something valuable to offer.”
His perspective stands in stark contrast to recent comments made by Wim Wenders, president of the Berlin Film Festival jury, who suggested that filmmakers should avoid political engagement. Harriman criticises this notion, arguing that art and politics are inextricably linked. “To suggest that artists should stay out of politics is an oxymoron,” he asserted, recalling how even seemingly innocuous films can carry profound political messages.
The Together For Palestine Auction
The Together For Palestine Fine Art Auction is set to run from 27 March to 9 April, with an accompanying exhibition at HOPE93 Gallery in London. This initiative not only raises money for those in need but also serves as a rallying cry for artists to step into their roles as commentators and advocates for social justice.
Why it Matters
In an era defined by stark divisions and mounting crises, Harriman’s clarion call for artists to engage politically is more than a mere suggestion; it is a vital imperative. Art possesses the power to transcend barriers, fostering empathy and understanding where words often fail. By urging creatives to reflect the tumultuous realities of our times, Harriman not only champions the role of the artist but also galvanises a movement towards a more compassionate, interconnected world. As we navigate these uncertain waters, the responsibility to speak out and act lies with each of us—artist or otherwise.
