Celebrated cinematographer Roger Deakins, renowned for his visually striking work on films ranging from *Skyfall* to *Blade Runner 2049*, is candidly examining the evolution of cinema as he releases his memoir, *Reflections: On Cinematography*. With a career spanning over five decades and numerous accolades—including 14 Oscar nominations and two wins—Deakins expresses concern about the current state of the film industry and its reliance on formulaic productions.
The Art of Cinematography
Deakins, who has collaborated with esteemed directors like the Coen brothers, Martin Scorsese, and Sam Mendes, grapples with defining his craft. “What is cinematography? I don’t know,” he admits, reflecting on his journey from aspiring still photographer to acclaimed cinematographer. Despite its complexities, he believes at its core, cinematography is about visual storytelling, a collaborative effort that involves a myriad of contributors.
His journey has taken him through various cinematic landscapes, each marked by his distinctive touch. From the stark deserts of *No Country for Old Men* to the vibrant hues of *Skyfall*, Deakins has consistently showcased his ability to evoke emotion through imagery. He recalls his first significant experience on an American film set with *Sid and Nancy*, reflecting on how far he has come since then.
Collaborating with the Right People
The dynamics of collaboration are central to Deakins’ philosophy. His wife, James Ellis Deakins, who has supported his career as a script consultant, provides insights into their partnership. She emphasizes the importance of a cinematographer’s role in framing and lighting a shot to evoke specific emotions. “It’s visceral,” she states, noting that audiences often don’t realise how cinematography shapes their viewing experience.
Deakins’ new book offers an in-depth look into his creative processes and the challenges faced throughout his career. He highlights moments of ingenuity, such as replicating natural light in *The Shawshank Redemption* and the innovative techniques used in *1917* to maintain consistent lighting during its long takes. These anecdotes reveal not just his technical prowess, but also his passion for storytelling through visual means.
Concerns for the Future of Film
As he reflects on his career, Deakins expresses apprehension about the film industry’s trajectory. He notes a decline in character-driven narratives and a growing reliance on blockbuster franchises that favour CGI over authentic cinematography. “The film industry is in a bit of a decline at the moment,” he remarks, citing the impacts of streaming services and the advent of artificial intelligence.
The evolution of technology has made it easier to produce content, but Deakins worries that this ease compromises the artistry of film. “Producers don’t want to spend the time on lighting,” he explains, lamenting the growing trend of shooting in a flat style that is often manipulated in post-production. He believes that this shift detracts from the nuanced storytelling that good cinematography can provide.
Lessons from a Storied Career
Deakins acknowledges the importance of life experience in shaping one’s craft. His unconventional path to cinematic success—starting with documentaries and transitioning into feature films—has enriched his perspective and approach. “Life experience is something that is not talked about a lot,” he points out, suggesting that many contemporary filmmakers are disconnected from the realities outside the industry bubble.
He shares a nostalgic yearning for the types of films that once dominated cinema, expressing a hope for a resurgence of character-driven stories that resonate on a human level. “Event movies are great, but it’s also nice to have character movies,” James adds, highlighting the balance that is currently lacking.
Why it Matters
Roger Deakins’ reflections are a poignant reminder of the delicate balance between technological advancement and artistic integrity in filmmaking. As the industry navigates the challenges of AI and changing audience preferences, voices like Deakins’ serve as critical touchstones for aspiring filmmakers. His insights urge a return to the roots of storytelling, where the art of cinematography can illuminate the human experience rather than merely serve as a backdrop for spectacle. In an era increasingly driven by digital convenience, the call for authenticity and depth in cinema becomes ever more pressing.
