In a vibrant homage to the multi-faceted genius of David Hockney, Tate Modern is set to transform its Turbine Hall into an enchanting opera space, featuring the artist’s iconic set designs for classical works by Mozart, Wagner, and Stravinsky. This extraordinary exhibition, slated for 2027, marks a significant milestone in the celebration of Hockney’s 90th birthday, offering visitors a unique glimpse into the intersection of visual art and opera.
A Journey Through Opera Design
While David Hockney is predominantly hailed for his breathtaking landscapes and portraits, his contributions to opera set design are equally noteworthy. Beginning his artistic journey in the bustling theatre scene of London, Hockney ventured into set design in the 1960s, with his first major project being Alfred Jarry’s *Ubu Roi* at the Royal Court Theatre. His foray into this realm is characterised by a distinctive pop-art flair, culminating in an impressive portfolio of 11 opera sets over a span of 17 years, beginning in 1975.
Hockney’s work on Richard Strauss’s *Die Frau ohne Schatten* exemplifies his innovative approach to set design. When asked about his motivation for entering this artistic domain, Hockney candidly remarked, “I wanted to design operas because I want to have something to look at.” His straightforward answer encapsulates the blend of visual pleasure and theatrical storytelling that defines his work.
A Star-Studded Programme for 2027
The forthcoming exhibition is just one part of Tate’s ambitious programme for 2027. Alongside Hockney’s operatic creations, the Tate will showcase a retrospective of Sonia Boyce, the 2022 Venice Biennale Golden Lion winner, as well as a comprehensive exhibition dedicated to Edvard Munch. Tate Liverpool will also reopen with a career-spanning show featuring Chila Kumari Singh Burman, who gained prominence for her vibrant neon installations at Tate Britain in 2020.
Notably, Tate Modern is set to host its first-ever Monet exhibition, titled *Painting Time*, which delves into the artist’s relentless pursuit of capturing the ephemeral beauty of nature. Curator Catherine Wood highlights Monet’s dedication, stating, “Even as he’s going blind, he’s still trying to paint.” This exhibition will be realised in collaboration with the Musée de l’Orangerie in Paris, promising a rich exploration of Monet’s oeuvre and his profound connection to his garden in Normandy.
A Transitional Moment for Tate
The announcement of this dynamic exhibition season comes during a period of transition for Tate. Following the departure of Maria Balshaw, who has led the institution for nine transformative years, Karin Hindsbo will temporarily oversee operations until a permanent successor is appointed. This leadership change coincides with an ambitious programme that aims to showcase diverse artistic voices across centuries and continents.
Hindsbo articulated the significance of the upcoming exhibitions, stating, “This is an exhibition programme that only Tate could deliver. It spans the centuries, from the 1500s to the present day, and it spans the globe, from Europe to Asia, Africa and America.” The new season promises to reflect a deep appreciation for artists and their unique ability to inspire and evoke emotion through their work.
Why it Matters
The upcoming exhibition at Tate Modern not only celebrates David Hockney’s illustrious career but also underscores the enduring relevance of opera as an art form. In an era where traditional mediums often seem overshadowed by contemporary trends, Hockney’s set designs remind us of the powerful interplay between visual art and performance. As audiences flock to Tate to experience this immersive celebration, they will engage with a storied legacy that continues to shape the landscape of modern art and theatre. This event is poised to not only honour Hockney’s contributions but also to inspire a new generation of artists and art lovers alike.
