The Tate has announced a thrilling programme for 2027, featuring the first dedicated exhibition of Claude Monet’s work at Tate Modern, alongside a celebration of David Hockney’s 90th birthday. The initiative aims to showcase a diverse array of artistic voices, spanning from historical masters to contemporary innovators, while also marking significant milestones for the Tate’s galleries, including the much-anticipated reopening of Tate Liverpool.
Monet: A Timely Retrospective
Set to run from 25 February to 27 June 2027, *Monet: Painting Time* will explore the impressionist’s intricate relationship with time during the onset of the industrial era. This groundbreaking exhibition promises to present a selection of Monet’s lesser-known works, all underpinned by fresh research. It represents an unparalleled opportunity for art lovers to engage deeply with the artist’s vision, illuminating how the passage of time influenced his iconic landscapes.
Karin Hindsbo, the interim director of the Tate, remarked, “This is an exhibition programme that only Tate could deliver.” Her comment underscores the institution’s commitment to presenting globally significant art narratives that resonate with audiences today.
Celebrating Hockney: A Dual Tribute
The year 2027 will also be notable for David Hockney, as the Tate celebrates his remarkable career with two exhibitions. The first, a multimedia installation in Tate Modern’s Turbine Hall during the summer, will explore themes central to Hockney’s work. This will be followed by a comprehensive retrospective at Tate Britain from 7 October 2027 to 20 February 2028, featuring more than 200 pieces that reflect the breadth of his artistic journey.

Hindsbo highlights the importance of such exhibitions, stating, “These exhibitions showcase the many different ways that artists think and work, and their unique ability to inspire and move us.” This dual celebration of Hockney’s art not only honours his contributions but also positions him as a pivotal figure in contemporary British art.
Expanding Horizons: Diverse Artistic Voices
Alongside Monet and Hockney, the Tate’s 2027 programme will host a variety of exhibitions that span continents and styles. From 11 November 2027 to 23 April 2028, Edvard Munch’s works will be displayed through the lens of cinema and visual storytelling. Titled *Ink*, another exhibition running from 22 April to 30 August 2027, will delve into the philosophical practice of ink painting in 20th-century Asia, offering a rare insight into this often-overlooked medium.
Moreover, the Tate Modern will showcase influential artists from around the world, including Nalini Malani, Baya, and Lynda Benglis. Meanwhile, Tate Britain will feature exhibitions on the works of Sonia Boyce and Thomas Gainsborough, alongside a major presentation of Tudor art, the first in three decades.
The Revitalised Tate Liverpool
Excitement is also building around the reopening of Tate Liverpool, which will feature a solo exhibition by Chila Kumari Singh Burman. This exhibition will address crucial themes of self-representation, feminism, and cultural heritage, promising to resonate with contemporary audiences.

In addition, Tate St Ives will host the first UK museum survey of textile artist Gulnur Mukazhanova, showcasing her striking large-scale felt installations. This focus on textile art reflects the Tate’s commitment to expanding the definitions of what constitutes fine art in the modern age.
Why it Matters
The Tate’s ambitious 2027 exhibition programme is more than a calendar of events; it represents a bold statement about the role of art in society. By elevating diverse voices and perspectives, the Tate is not just preserving art history but also actively shaping its future. With exhibitions that bridge centuries and cultures, the Tate is set to inspire a new generation of art enthusiasts, fostering a deeper understanding of the power of creativity to reflect and challenge the world around us. This commitment to inclusivity and representation is vital in an increasingly interconnected global landscape, making the Tate a pivotal institution in contemporary art discourse.