The Grand Tour Revamps Itself with New Hosts Following Departure of Clarkson, Hammond, and May

Ben Thompson, Culture Editor
5 Min Read
⏱️ 4 min read

In a significant shake-up for automotive television, Prime Video’s The Grand Tour has unveiled its new hosting trio. Following the departure of the original trio—Jeremy Clarkson, James May, and Richard Hammond—who left the show in September 2024, the series is set to be rejuvenated with the addition of YouTubers Thomas Holland and James Engelsman, alongside social media sensation Francis Bourgeois. This fresh ensemble aims to inject a contemporary flair into the iconic motoring programme.

A New Era for The Grand Tour

The announcement comes nearly two years after Clarkson, May, and Hammond wrapped up their time on The Grand Tour with the episode titled “One for the Road.” The beloved trio previously transitioned from Top Gear to The Grand Tour in 2015 but decided to part ways with the series amid reports of a company dissolution involving their production firm, W Chump & Sons. The move to replace the original hosts signals a strategic shift, indicating the show’s desire to attract a new audience while maintaining its legacy.

Thomas Holland and James Engelsman, known for their work on the popular YouTube channel Throttle House, bring their extensive automotive knowledge and dynamic chemistry to the forefront. Meanwhile, Francis Bourgeois, who gained fame through his engaging trainspotting content, adds a unique perspective to the mix. Bourgeois remarked on the challenge ahead, likening it to “Mo Farah running in Size 14 wellies”—a humorous nod to the daunting task of filling the shoes of such prominent predecessors.

The Hosts: A Diverse Background

Holland, originally from Canada, founded Throttle House out of sheer enthusiasm for cars, which has since evolved into a well-respected platform for automotive reviews and track tests. His partnership with Engelsman, who joined in 2018, has been pivotal in the channel’s success. Engelsman expressed excitement at the prospect of working with Bourgeois, stating, “Who knew that all this time, the one ingredient that was missing was a Francis Bourgeois? Let the car adventures commence.”

Bourgeois, whose real name is Luke Nicolson, stands out as the most recognisable face among the new hosts. With a burgeoning social media following that has captivated millions, he has also ventured into modelling and authored a book titled *The Trainspotter’s Notebook*. His infectious enthusiasm for trains and knack for storytelling make him a compelling addition to the new Grand Tour lineup.

Reflections on the Past and Future

The departure of Clarkson, Hammond, and May marked the end of an era for The Grand Tour. Their chemistry and camaraderie were pivotal in establishing the show’s identity, drawing a loyal fanbase over the years. Clarkson has since found success with his series Clarkson’s Farm, which chronicles his experiences running a farm in the Cotswolds, while Hammond has expressed optimism about the new direction of The Grand Tour. He offered advice to the new hosts, emphasising the importance of passion in any show centred on a subject, be it cars or otherwise.

As the new trio prepares to take the reins, the automotive community and fans alike are eager to see how they will interpret the show’s legacy while infusing it with their own fresh perspectives.

Why it Matters

The reboot of The Grand Tour is not just about changing hosts; it reflects a larger trend in television where traditional formats are reinvented to resonate with younger audiences. As the automotive landscape evolves, so too must the narratives that accompany it. This fresh approach could redefine motoring television, offering new insights and engaging stories that connect with a rapidly changing world. The success of the new Grand Tour will hinge on its ability to honour the past while embracing innovation—an exhilarating challenge for the new hosts.

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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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