The Royal Court Theatre’s latest offering, *The S***heads*, is a captivating exploration of humanity’s primal instincts, deftly intertwined with contemporary themes. Written by Jack Nicholls, this thought-provoking play transports audiences to the Stone Age, where a family of cave-dwellers grapples with survival, identity, and the complexities of human interaction. Through its blend of dark humour and raw emotion, the production challenges our perceptions of both the past and the present.
A Unique Setting and Anachronisms
Set against a backdrop that marries the ancient with the modern, *The S***heads* introduces us to a trio of cave-dwelling characters: Clare, played by Jacoba Williams, her ill father Adrian (Peter Clements), and her younger sister Lisa (Annabel Smith). Interestingly, Lisa, despite being portrayed as a teenager, is depicted by an adult actress, which serves as a delightful nod to the play’s playful anachronisms. The characters converse in modern English, don contemporary clothing, and even rely on an array of familiar household items, including a Sports Direct mug that elicits laughter, reflecting the absurdity of their existence.
The opening scene is particularly striking, featuring Clare as she hunts a gigantic elk, portrayed through an impressive puppet. The act of felling the elk showcases not just Clare’s prowess but also her reliance on an outsider named Greg (Jonny Khan), who embodies the characteristics of a friendly Labrador. While Clare initially sees him as a “s***head,” the dynamics shift dramatically as their interaction unfolds, culminating in a shocking act of violence when Clare consumes his brain, setting the stage for the ensuing drama.
Themes of Isolation and Connection
As the narrative progresses, the arrival of Greg’s widow (Ami Tredrea), accompanied by her “fat and fast” infant, amplifies the existing tensions within the cave family’s domestic sphere. The play cleverly flirts with the concept of a period comedy of manners, as the arrival of these outsiders disrupts the family’s insular norms and prejudices. However, the tone soon shifts towards a more tragic exploration of human relationships, isolation, and the haunting echoes of our shared history.
Nicholls’ script navigates the delicate balance between crude humour and insightful commentary, with the dialogue revealing deeper psychological truths that resonate with contemporary audiences. Through the artful direction of Aneesha Srinivasan and David Byrne, alongside designer Anna Reid’s creative vision, the production’s symbolic elements come to the forefront. It reveals that beneath the veneer of primitive existence, the characters grapple with issues of storytelling, language, and ideological inheritance.
Character Dynamics and Performances
The performances in *The S***heads* are particularly noteworthy, with Clements’ boorish patriarch and Smith’s vibrant, childlike Lisa emerging as standout characters. Their dynamic offers a rich tapestry of interaction, allowing the audience to connect with their struggles and triumphs. While the play has moments that could benefit from increased levity, the comedic elements are well-placed, adding depth to the overall experience.
Additionally, the puppeteers, led by Scarlet Wilderink, infuse the production with expressive artistry, further enhancing the storytelling. The interplay between human actors and puppetry creates a unique theatrical experience that draws the audience into the cave-dwellers’ world, filled with both terror and wonder.
*The S***heads* is part of a remarkable season at the Royal Court, showcasing innovative and engaging theatre. Although the production has few moments that truly soar, it remains a compelling and impactful piece that resonates with both ancient and modern sensibilities.
Why it Matters
At its core, *The S***heads* is a reflection on our enduring human nature, exploring themes that transcend time. By juxtaposing the primal instincts of our ancestors with contemporary societal issues, the play invites audiences to confront uncomfortable truths about isolation, identity, and the human condition. In a world increasingly divided by ideologies and prejudices, this production serves as a reminder of our shared humanity, encouraging a dialogue that is as relevant today as it was in the Stone Age. With performances running until 14 March, this thought-provoking theatrical experience is not to be missed.
