The Simpsons Showrunner Declares Series Will Never Have a Traditional Finale

Ben Thompson, Culture Editor
5 Min Read
⏱️ 4 min read

In an unexpected twist for fans of the iconic animated series, Matt Selman, the showrunner of *The Simpsons*, has revealed that the programme will never conclude with a conventional finale. Instead, any potential end to the beloved series would feel just like another episode, maintaining the show’s unique charm and continuity.

The End of an Era?

Since its debut in 1989, *The Simpsons* has become a cultural touchstone, now boasting an impressive 37 seasons and over 800 episodes. Rumours have circulated about the show winding down, particularly with a sequel to 2007’s *The Simpsons Movie* on the horizon. However, Selman’s comments suggest that fans shouldn’t expect a grand farewell.

“We did an episode about a year-and-a-half ago that was like a parody of the series finale,” Selman explained in an interview with TheWrap. “We jammed every possible series finale concept into one show, so that was sort of my way of saying we’re never going to do a series finale.” This playful take on the idea of a finale highlights the show’s commitment to its episodic format, where the characters reset each week, akin to a never-ending loop.

A Unique Approach to Ending

Selman clarified that if the series were ever to conclude, it would do so in a manner consistent with its established tone. “If the show ever did end, there’s no finale; it would just be a regular episode that has the family in it. Probably a little Easter egg here and there, but no ‘I’m going to miss this place,’” he stated. This approach aligns with the series’ long-standing tradition of humour and absurdity, where the characters often find themselves in outlandish situations without any lasting consequences.

A Unique Approach to Ending

Despite the show’s light-hearted nature, recent seasons have seen significant character deaths, such as that of Alice Glick, the church organist, who passed away during a service. Introduced in season two, Alice was voiced by the late Cloris Leachman, with Tress MacNeille taking over the role after Leachman’s death in 2021. Executive producer Tim Long acknowledged the impact of such deaths, reflecting on the show’s ability to tackle themes of loss and remembrance in a manner that resonates with its audience.

Fan Reactions and Future Speculations

Character deaths in *The Simpsons* have sparked mixed reactions among fans. The passing of Larry the Barfly, a character beloved since season ten, drew notable outcry. Long addressed the backlash, stating, “I’m sorry if some fans are upset, but we really wanted to use Larry’s death as a way to show that even the most peripheral people in our lives have dignity and worth, and that we really shouldn’t take anyone for granted.”

As fans speculate about the future of the series, Selman’s comments offer reassurance that the show will remain true to its roots. The decision to forego a traditional finale maintains the unpredictable, comedic essence that has kept audiences engaged for over three decades.

Why it Matters

The revelation that *The Simpsons* will never adopt a conventional series finale is significant not only for fans but also for the television landscape. It challenges the narrative expectations of long-running series, asserting that the journey of storytelling can be just as meaningful as the conclusion. In an age where shows often feel the pressure to conclude with a bang, Selman’s commitment to continuity reflects a profound understanding of what has made *The Simpsons* a staple of popular culture. As the series continues to evolve, it reaffirms its place in the hearts of viewers, eagerly anticipating each new episode while knowing that the family of Springfield will always be just a click away.

Why it Matters
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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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