The much-anticipated biopic “Michael,” centred on the life of pop icon Michael Jackson, is off to a stellar start at the box office. The film, featuring Jaafar Jackson in the titular role, has already amassed nearly $40 million in its opening day alone, with projections estimating a weekend total between $90 million and $100 million. This impressive figure positions “Michael” for the second-largest domestic opening weekend of 2026, trailing only behind the blockbuster “The Super Mario Galaxy Movie.”
Box Office Breakthrough
Released in cinemas on Friday, “Michael” has generated significant buzz, not only for its financial performance but also for the polarising nature of its critical reception. While the film is set to clock in a remarkable box office tally, it has faced substantial criticism from reviewers. Many argue that “Michael” glosses over the singer’s complex legacy by concluding its narrative in 1988, conveniently sidestepping the highly publicised allegations of child sexual abuse that emerged later in Jackson’s life. As it stands, the film has garnered a mere 38 per cent on Rotten Tomatoes, indicating a predominantly negative response from critics.
Audience Reception
Interestingly, the public’s reaction diverges sharply from that of the critics. The audience score on Rotten Tomatoes boasts an impressive 97 per cent “Fresh” rating, suggesting that moviegoers are embracing the portrayal of the King of Pop. This discrepancy raises questions about the potential for “review bombing”—a practice where audiences artificially inflate scores on platforms to sway public perception. However, feedback on other sites like IMDb and Letterboxd reinforces the film’s favourable reception, with an IMDb rating of 7.6 out of 10 and an average of 3.6 stars out of 5 on Letterboxd.
Critics like Clarisse Loughrey from The Independent have expressed concern that “Michael” prioritises spectacle over depth, describing it as a film made for fans rather than a genuine exploration of Jackson as a person or artist. Loughrey notes, “It exists to be consumed as an act of allegiance, as proof of fandom,” highlighting a potential disconnect between the film’s intent and the legacy it attempts to portray.
The Creative Team Behind the Lens
Directed by Antoine Fuqua, known for his work on “Training Day,” “Michael” has attracted attention not only for its subject matter but also for its creative team. Produced by Graham King, who previously brought the story of Freddie Mercury to the big screen in “Bohemian Rhapsody,” the film aims to celebrate Jackson’s musical achievements while navigating the complexities of his life. As the film continues to resonate with audiences, it sparks conversations around the cultural impact of Jackson and how his narrative is constructed through cinematic storytelling.
Why it Matters
The contrasting reactions to “Michael” reflect broader societal debates about legacy, fame, and the responsibility of biopics to portray their subjects authentically. As the film rakes in impressive box office numbers, it underscores the enduring appeal of Michael Jackson’s music and persona, while simultaneously igniting discussions about how artistic representations can shape public perception. In an era where the complexities of celebrity culture are increasingly scrutinised, “Michael” serves as a case study in the delicate balance between homage and critique.
