Revamping the Runway: Styling the Press Premiere of The Devil Wears Prada 2

Catherine Bell, Features Editor
5 Min Read
⏱️ 4 min read

The highly anticipated premiere of *The Devil Wears Prada 2* saw a flurry of fashion creativity as top stylist Liz Teich took on the challenge of dressing journalists in outfits that shimmered with the spirit of the film. Tasked with curating looks inspired by the iconic characters, Teich turned to the treasure trove of vintage designer pieces at What Goes Around Comes Around, ensuring every ensemble was fit for the discerning eye of Miranda Priestly herself.

Sourcing Vintage Elegance

With two decades of experience in the fashion industry, including a humble beginning as an intern in New York City, Teich knows a thing or two about style. “When the original film debuted, I felt a kinship with Andy Sachs—her resourcefulness and ingenuity resonated with my own experiences,” she remarked. For this event, she sought to embody the aesthetic vision of Patricia Field and Molly Rogers, the costume designers who brought the characters to life on screen.

The quest for the perfect outfits led Teich to What Goes Around Comes Around, a renowned resale platform celebrated for its authentic vintage finds. Founded in 1993, this New York gem has become a go-to for fashion enthusiasts and stylists alike, offering everything from clothing to accessories. “I sourced all 150 pieces for the junket from WGACA,” Teich shared, emphasizing her genuine admiration for the site’s curated selection of designer items.

Capturing the Essence of the Characters

Teich’s styling journey began with Andy Sachs, played by Anne Hathaway, whose transformation from a fashion novice to a style icon is central to the narrative. For Andy’s menswear-inspired look, Teich selected a chic tweed Chanel jacket paired with a sophisticated navy jumpsuit. This ensemble perfectly encapsulated Andy’s evolution, balancing her past academic roots with her present-day fashion prowess.

Emily Blunt’s character, Emily, exudes an edgy elegance that Teich sought to replicate with a striking McQueen pencil dress layered beneath a Cavalli leather jacket adorned with a dramatic snake motif. Both pieces echoed Emily’s fierce persona, embodying the armoured sophistication that defines her style.

In crafting a look for the formidable Miranda Priestly, Teich found a tailored black McQueen suit elevated by a bold red Gucci coat. The ensemble was topped off with a vintage Chanel sequined jacket, famously worn by supermodel Linda Evangelista in a 1991 Vogue cover shoot. “Miranda commands attention without being ostentatious,” Teich noted, capturing the essence of the character’s powerful presence.

Tips for Vintage Shopping Success

For fashion aficionados hoping to dip into the world of vintage designer finds, Teich offers sage advice. “Approach your shopping with an open mind and steer clear of getting too caught up in logos,” she cautions. While the allure of high-end brands can be tempting, some of the most extraordinary pieces come from lesser-known designers, enabling shoppers to cultivate a unique wardrobe that stands apart from the mainstream.

One standout discovery for Teich was a stunning black leather fringe dress by Thierry Mugler, a designer renowned for his striking silhouettes in the ‘80s and ‘90s. She creatively paired the dress with an ivory Chanel jacket and transformed a vintage Chanel belt into a statement necklace, illustrating her knack for blending luxury pieces in unexpected ways.

The event also saw journalists donning Teich’s carefully curated outfits, with one reporter wearing a pink tweed Chanel jacket to interview the film’s stars. “It was the first thing Meryl noticed and asked about,” she revealed, a nod that any stylist would cherish, especially when it comes from the iconic Miranda Priestly.

Why it Matters

The art of styling for such a high-profile event underscores the enduring influence of *The Devil Wears Prada* on contemporary fashion. By embracing vintage pieces and showcasing unique styles, Teich not only paid homage to the beloved film but also championed sustainability in fashion. As audiences flock to cinemas to see the sequel, the legacy of the original film continues to inspire a new generation of fashion lovers, reminding us that style is not just about clothing—it’s an expression of identity, creativity, and cultural impact.

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Catherine Bell is a versatile features editor with expertise in long-form journalism and investigative storytelling. She previously spent eight years at The Sunday Times Magazine, where she commissioned and edited award-winning pieces on social issues and human interest stories. Her own writing has earned recognition from the British Journalism Awards.
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