In an evocative tribute to decades of struggle, Sydney’s Numbers Gallery is showcasing a profound exhibition titled *Ray Jackson Doing Time with the Penrith Miers Archive*, which pays homage to the legacy of Wiradjuri elder and activist Ray Jackson. Open until 2 August, this exhibition encapsulates over fifty years of Aboriginal protest history through a compelling collection of posters and memorabilia that reflect the resilience and determination of Indigenous Australians in their fight for justice.
Remembering Ray Jackson
Ray Jackson was more than just an activist; he was a beacon of hope for many within the Aboriginal community. His pivotal role as the founding secretary of the New South Wales Aboriginal Deaths in Custody Watch Committee in 1987 marked the beginning of a relentless campaign for accountability in the face of systemic injustices. Until his passing in 2015, Jackson was a familiar presence at the Redfern Aboriginal Tent Embassy, tirelessly advocating for the rights of his people and the recognition of their struggles.
His home in Waterloo was a veritable archive, overflowing with posters, photographs, and memorabilia gathered from rallies, protests, union meetings, and film screenings. This rich assortment of artefacts has now been meticulously curated by his granddaughter, Madika Penrith, alongside her partner, Sam Miers, at the Penrith Miers Archive. The exhibition not only highlights the significance of Jackson’s contributions but also serves as a poignant reminder of the ongoing fight against racism and inequality faced by Aboriginal Australians.
The Power of Protest Posters
The exhibition features an array of striking protest posters that chronicle the evolution of Aboriginal activism over the past forty years. Each piece tells a story, encapsulating the emotions and aspirations of those who have taken to the streets demanding recognition and justice. From calls against violence to declarations of cultural pride, these posters bear witness to a collective struggle that has shaped the identity of a nation.
In a society often marred by division, the visual language of protest art emerges as a powerful tool for mobilising communities and raising awareness. The vivid imagery and bold messages serve not only to inform but also to inspire action, urging individuals to confront uncomfortable truths about Australia’s past and present.
A Contemporary Reflection
As the exhibition runs until early August, it invites visitors to engage deeply with the ongoing issues of racial inequality and the need for reconciliation. The artwork on display encourages dialogue about the future — particularly around symbols of Aboriginal identity, such as the debated Nicky Winmar statue. The statue, which depicts the AFL player famously standing against racism, raises questions about how society should commemorate figures and events intertwined with both pride and pain.
Madika Penrith, as the curator, emphasizes the significance of maintaining these conversations. “It’s essential for us to keep the dialogue alive,” she states, highlighting that the fight for justice does not end with the past but continues into the present and future.
Why it Matters
The exhibition at Numbers Gallery is more than a mere retrospective; it is an urgent call to acknowledge the struggles of Indigenous Australians and the ongoing fight against systemic racism. As visitors engage with the rich tapestry of protest art, they are reminded of the resilience and dedication of figures like Ray Jackson, whose legacy continues to inspire new generations. The stories encapsulated within these posters are not just historical artefacts; they are living reminders of a struggle that demands attention and action in the quest for equality and justice in Australia.
