A captivating collection of Aboriginal protest posters, chronicling four decades of activism, is now on showcase at Sydney’s Numbers Gallery. This exhibition pays homage to the tireless efforts of Wiradjuri elder Ray Jackson, an influential figure in Australia’s fight for Indigenous rights and social justice. The display, titled “Ray Jackson Doing Time with Penrith Miers Archive,” runs until 2 August and offers a visual feast of history, resilience, and the ongoing struggle against systemic injustice.
The Life and Legacy of Ray Jackson
Ray Jackson was not just an activist; he was a beacon of hope and change for many Aboriginal Australians. Founding the New South Wales Aboriginal Deaths in Custody Watch Committee in 1987, he dedicated his life to addressing the often-overlooked issues of Indigenous deaths in custody and police violence. His presence at the Redfern Aboriginal Tent Embassy was a constant reminder of the fight for equality, continuing until his passing in 2015.
In his Waterloo home, Jackson amassed an impressive collection of posters, memorabilia, and artefacts that encapsulated the spirit of protest and resistance over the span of fifty years. Each piece tells a story, reflecting the struggles, victories, and aspirations of the Aboriginal community.
The Exhibition: A Visual Journey
Curated by Jackson’s granddaughter, Madika Penrith, alongside her partner Sam Miers, the exhibition features a rich array of posters sourced from various protests, rallies, union gatherings, and film screenings. The collection is not merely decorative; it serves as a poignant narrative of the Aboriginal experience in Australia, illustrating the evolution of Indigenous activism.
Visitors will encounter striking visuals that span decades, each poster echoing the cries for justice and equality. From calls to action against racism to messages advocating for peace, the exhibition is a powerful reminder of the ongoing fight against oppression faced by Aboriginal Australians.
A Call for Reflection and Action
As the exhibition invites the public to engage with its contents, it also challenges viewers to reflect on their role in combating racism and advocating for Aboriginal rights. The poignant question posed around the future of the Nicky Winmar statue—a symbol of resistance against racism—further ignites discussion about how society can honour the past while striving for a more equitable future.
The artworks not only celebrate the courage of past activists but also serve as a rallying cry for contemporary issues surrounding Indigenous rights. The intersection of art and activism presented in the exhibition emphasizes the importance of visibility and representation in the ongoing struggle for justice.
Why it Matters
This exhibition is not just a retrospective. It is a critical reminder of the unresolved issues that still plague Indigenous communities in Australia. By showcasing Ray Jackson’s legacy, the collection urges both Indigenous and non-Indigenous Australians to confront uncomfortable truths and engage in meaningful dialogue about reconciliation and justice. As we navigate the complexities of the past, the stories shared through these posters empower us to continue the fight for equality, ensuring that the sacrifices of those before us are neither forgotten nor in vain.
