In an era where art can sometimes feel exclusive or inaccessible, the Backyard Biennial East stands as a beacon of inclusivity in London’s vibrant art scene. This collaborative initiative aims to break down barriers and foster connections among diverse communities, inviting individuals to engage with art in ways that resonate deeply with their personal histories and cultural identities.
A Journey Through Sound and Memory
Laisul Hoque’s profound connection with art began in 2018 at the National Theatre of Bangladesh. There, he encountered “Lost Tune,” a powerful installation by Reetu Sattar, featuring musicians on scaffolding, dressed in white, producing a hauntingly beautiful single note on the harmonium. This experience resonated with Hoque, who, at the time, faced restrictions on musical expression within his household due to prevailing cultural beliefs that deemed music forbidden in Islam. The performance stirred something within him, transforming his perception of art from a mere visual experience to a deeply emotional one, felt in his chest rather than just his eyes.
After pursuing his artistic studies in the UK, Hoque’s journey continued to unfold in London, where he discovered the work of Adam Farah Saad. In a striking exhibit at Camden Art Centre, the scent of KA soda filled the air, marking a sensory experience that transcended the visual, solidifying Hoque’s belief in art’s ability to engage multiple senses and evoke powerful memories.
Bridging Cultures Through Collective Experience
Hoque’s current work, presented at the Whitechapel Gallery as part of the Backyard Biennial, draws heavily on his own familial experiences and cultural heritage. The installation is enriched by the collaboration with Oitij-jo Kitchen, a Bengali social enterprise. Each day, members of the kitchen prepare and deliver a specific combination of snacks that form an integral part of the artwork itself. This collaboration embodies the spirit of “Lost Tune,” where community involvement is at the heart of the artistic expression, fostering a sense of shared ownership and collective memory.
The exhibition has sparked important conversations about the significance of meaning in art. A recent critique in the Guardian questioned the very essence of what constitutes value in artistic expression. Through discussions with the curators, Hoque reflected on the historical significance of the Aldgate Pump, a landmark that has symbolised the gateway to East London and witnessed the ebb and flow of countless stories and migrations. Each piece in the exhibition tells its own journey, inviting viewers to consider how their personal narratives intersect with the artwork.
Redefining Accessibility in Art Spaces
Art spaces often evoke a sense of intimidation for many, a sentiment echoed by Hoque’s mother during her visit to London in 2023. When asked if she had visited the Whitechapel Gallery, her response was telling: “No, we were scared.” This highlights a critical issue within the art world—how can we transform these spaces into welcoming environments for all?
The Backyard Biennial aims to dismantle this fear, creating art spaces that resonate with the community and reflect the diversity of experiences within it. It seeks to ensure that everyone feels a sense of belonging, encouraging individuals to explore their connections to art without trepidation.
Why it Matters
The Backyard Biennial is more than just an exhibition; it is a movement towards inclusivity and communal engagement in the arts. By fostering environments where stories intersect and histories are shared, it empowers individuals to find their place within the broader narrative of culture. In an age where art often feels like a privilege reserved for the few, this initiative champions the idea that meaning can be found in the collective, messy, and often fragmented experiences of life. As we navigate a world rife with division, the Backyard Biennial reminds us of the power of art to unite, inspire, and heal.