In an innovative blend of creativity and contemplation, renowned artist and designer Es Devlin has convened a diverse group of thinkers—from spiritual leaders to AI researchers—at the Oxford Kilns for a unique summit that melds ceramics with discussions on the ethical implications of artificial intelligence. This initiative, aptly titled the AI and Earth conference, seeks to foster dialogue about technology’s role in shaping humanity’s future while participants engage in the tactile craft of pottery.
The Setting: A Workshop of Creation and Reflection
Nestled within the rustic charm of Oxford Kilns, a space steeped in artistic tradition, Devlin orchestrated an environment that encourages hands-on engagement. Here, participants rolled up their sleeves, kneading ancient Jurassic clay into vessels as they shared insights on AI’s impact on society. “I felt the most appropriate place to hold the conference would be in a potters’ workshop,” Devlin remarked. “It’s an antidote to eyes in front of screens, with our hands dancing over keyboards.”
The conference serves as a prelude to the opening of the Schwarzman Centre for the Humanities, Oxford University’s most ambitious construction project to date. This centre will not only house a gallery and theatres but also the Institute for Ethics in AI, where Devlin has collaborated to explore the moral dimensions of technology.
A Convergence of Minds
Devlin’s intention was clear: to bring together a spectrum of voices in the AI discourse. Participants introduced themselves by first names only, echoing a practice from a previous retreat she attended, where barriers were lowered through shared experiences. This format allowed for a more genuine exchange of ideas, even among those with divergent perspectives.
During the summit, discussions ranged from Alan Turing’s foundational ideas on machine intelligence to Isaac Asimov’s Three Laws of Robotics, bringing historical context to contemporary debates. Ethan Mollick’s concept of “centaurs,” which describes humans and AI working collaboratively, was also explored, highlighting the potential for technology to enhance human capabilities rather than merely replace them.
Yet, amidst the intellectual engagement, one potter poignantly reminded the group of the privilege inherent in such discussions. “In many parts of the world, AI is not something people are asked about; it just happens,” she noted, underscoring the disparity in global conversations about technology.
The Art of Dialogue
As participants shaped their clay into unique forms, they also sculpted new ideas about the intersection of art, technology, and ethics. Devlin, who has been exploring the implications of large language models for years, shared her insights on the language surrounding AI. She referenced Shoshana Zuboff’s concept of “digital shadows,” contemplating how our interactions are used to shape algorithms that often concentrate wealth in the hands of a few.
Reflecting on the day, Devlin expressed satisfaction with the discussions that unfolded. “Despite the complexities and challenges, I want to stitch my digital shadow back onto my feet and dance with it myself,” she declared, inviting others to join her in this metaphorical dance.
The Performance: 360 Vessels
The culmination of the conference will be the installation “360 Vessels,” created in collaboration with American composer Nico Muhly. This installation will be featured during the opening festival of the Schwarzman Centre, with pots crafted by conference participants displayed on circular tables beneath the grand dome of the centre’s hall. Each vessel represents a different viewpoint, symbolising the diversity of thoughts exchanged during the summit.
The University Chamber Choir will also perform Muhly’s choral piece, inspired by the reflections of 17th-century theologian Thomas Traherne, further intertwining the themes of art and ethics.
Why it Matters
In an age where technology often seems to outpace our ability to understand its implications, initiatives like Devlin’s conference are crucial. They create spaces for meaningful dialogue that can bridge the gap between art and ethics, technology and humanity. By fostering discussions that marry creative expression with critical thought, we can begin to navigate the complex landscape of AI in a way that is inclusive and conscientious. In doing so, we not only enrich our understanding of the world but also shape a future that prioritises ethical considerations alongside technological advancement.
