Billy Joel Dismisses Biopic ‘Billy & Me’ Amid Rights Controversy

Ben Thompson, Culture Editor
4 Min Read
⏱️ 3 min read

Billy Joel has made it abundantly clear that he wants no part in the upcoming biopic titled *Billy & Me*, which aims to explore his early career through the perspective of his former manager, Irwin Mazur. In a statement released this week, Joel’s representatives firmly stated that the project lacks the necessary permissions to proceed legally.

A Disputed Project

Filmmaker John Ottman, known for his Oscar-winning editing work on films like *Bohemian Rhapsody*, has secured the life rights from Mazur and Jon Small, Joel’s long-time friend and original drummer. However, Joel’s camp has been vocal in asserting that neither Mazur nor Small holds the rights to Joel’s life or music. “Since 2021, the parties involved have been officially notified that they do not possess Billy Joel’s life rights and will not be able to secure the music rights required for this project,” the statement read.

The singer-songwriter has not only denied any endorsement of the film but has also suggested that any attempts to move forward without his approval would be “legally and professionally misguided.” This marks a significant roadblock for the production, which aims to delve into the formative years of the iconic musician.

A Different Vision for the Biopic

In response to Joel’s statement, screenwriter Adam Ripp clarified in *The Hollywood Reporter* that the film was never intended to revolve around Joel’s famous catalogue. “At no point have we ever claimed to control or possess rights to Billy Joel’s original songs,” Ripp explained. Instead, he emphasised that *Billy & Me* is designed as an intimate origin story focusing on the relationships surrounding Joel during a pivotal time in his life.

A Different Vision for the Biopic

The project will centre on Joel’s early years, highlighting his performances with local bands and his struggles to establish his artistic identity. Ripp’s father, Artie Ripp, was instrumental in giving Joel his first record deal, adding a personal connection to the narrative.

The Emotional Core

Ottman, who is also directing the film, describes *Billy & Me* as a “deeply emotional and fun story.” He aims to depict the time before Joel became a household name, exploring the challenges and triumphs of his early music career. Ripp noted that the film will not follow a conventional biographical format but rather focus on the people and experiences that shaped Joel during his formative years.

The involvement of Jon Small as a consultant and co-executive producer lends credibility to the project, as he lived through the events that the film aims to portray. “We have tremendous respect for Billy Joel and his extraordinary legacy,” Ripp reiterated, stating their intention to honour the artist’s journey authentically.

Why it Matters

The conflict surrounding *Billy & Me* highlights the complexities of artistic rights and ownership, particularly within the music industry. Joel’s refusal to grant rights not only protects his legacy but also raises questions about who gets to tell an artist’s story. As the film industry increasingly turns to biopics to capture the lives of iconic figures, the importance of securing proper permissions has never been more critical. This incident serves as a reminder of the delicate balance between artistic expression and legalities, underscoring the need for respect and collaboration in storytelling.

Why it Matters
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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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