Call My Agent! The Movie review: a reunion comedy that turns industry chaos into gold

Ben Thompson, Culture Editor
2 Min Read
⏱️ 2 min read

Call My Agent! The Movie is the rare television reunion that does not feel like a press release for its own nostalgia. It brings back the familiar faces, yes, but the film earns its runtime by placing Andréa and Noémie at the centre of a production in freefall.

Camille Cottin and Laure Calamy anchor the sequel with warmth, impatience and comic precision. Together, they give the story more than a collection of celebrity cameos. They give it an emotional centre, a professional rivalry and a reason to return after five years.

A hit series returns with a clearer mission

The original French series began in 2015, establishing a fast-moving world around ASK, a boutique Parisian talent agency. It became a ratings and critical success in France before Netflix carried it to a wider international audience. The format proved portable, too, leading to remakes across Europe and Asia.

What made the show work was not simply the sight of famous actors complaining about famous actors. It understood that failure is often more entertaining than success. The agency is constantly scrambling, relationships are never quite stable and professional ambition is rarely matched by good fortune.

The final episode of the series left the team scattered across new jobs and careers. ASK, short for Agence Samuel Kerr, had already been transformed by the death of its founder in the opening episode. By the time the film begins, the old structure has effectively dissolved.

That gives the sequel a useful advantage. This is not a reunion arranged merely to put the cast in a room. The characters have changed, the industry has moved on and the film has to find a new reason for everyone to collide.

Andréa and Noémie

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Ben Thompson is a cultural commentator and arts journalist who has written extensively on film, television, music, and the creative industries. With a background in film studies from Bristol University, he spent five years as a culture writer at The Guardian before joining The Update Desk. He hosts a popular podcast exploring the intersection of art and society.
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