Critics Slam Michael Jackson Biopic as a Sanitised ‘Whitewash’ of the King of Pop’s Life

Zoe Martinez, Arts Correspondent
6 Min Read
⏱️ 4 min read

The newly released biopic chronicling the life of Michael Jackson has sparked a wave of criticism, with many film reviewers denouncing it as a superficial portrayal that glosses over the more controversial aspects of the late pop icon’s life. The film, simply titled *Michael*, features Jaafar Jackson, the nephew of the King of Pop, in the lead role as it navigates Jackson’s journey from a child star in the Jackson 5 to a solo music legend. However, its failure to confront the serious allegations of sexual abuse that surrounded Jackson has left many feeling that the film is little more than a calculated evasion of reality.

A Cursory Glimpse into a Complex Life

While Jaafar Jackson’s performance has been met with applause, critics have swiftly pointed out that the narrative lacks depth and fails to engage with the darker chapters of his uncle’s life. The film, which is backed by Jackson’s estate and features his iconic original tracks, strategically omits any mention of the sexual abuse allegations that plagued the singer’s legacy.

The Hollywood Reporter noted that the film resonates with long-time fans, celebrating Jackson’s musical genius, while the Telegraph chastised it for ignoring the “elephant in the room.” Indeed, the absence of any reference to the allegations, particularly following the scrapping of critical footage due to legal constraints, has raised eyebrows across the industry.

Reviews Pour In: A Mixed Bag of Praise and Condemnation

Critics’ responses have ranged from outright condemnation to tentative appreciation. Peter Bradshaw of the *Guardian* awarded the film two stars, describing it as a “frustratingly shallow” experience that fails to grapple with the complexities of Jackson’s upbringing and the abuse he suffered. He lamented the film’s inability to portray Jackson as a multifaceted human being, instead reducing him to a mere entertainment product.

Conversely, Clarisse Loughrey of the *Independent* went even further, branding the film a “ghoulish, soulless cash grab.” She argued that it leans heavily on clichés and replicates iconic visuals without offering any fresh insights into Jackson’s character. The film’s approach, she suggested, raises troubling questions about the commodification of artistic legacies.

A Controversial Legacy: The Missing Narrative

The film’s narrative choices have been particularly scrutinised, especially its decision to sidestep allegations that have haunted Jackson for decades. Initially, the script included scenes that delved into the accusations, especially concerning the infamous Jordan Chandler case. However, legal complications stemming from a non-disclosure agreement led to significant rewrites, ultimately shifting the film’s focus to a more sanitized timeline that ends in the late 1980s.

This editing decision has been labelled a “borderline-fatal problem” by critics, who argue that it strips the film of any meaningful context. Robbie Collin of the *Telegraph* asserted that a credible biopic cannot ignore the controversies that shaped Jackson’s life. Kate Erbland from IndieWire echoed this sentiment, stating that the film feels “glossy, sanitised, and surprisingly dull,” ultimately failing to capture the humanity of its subject.

A Polarising Reception Among Fans and Critics

Despite the barrage of negative reviews, some critics have found merit in the film’s musical sequences. David Rooney of the Hollywood Reporter described it as a “warm rush of transporting pleasure” for dedicated fans, suggesting that the film successfully delivers on the music front—even if it falls short in storytelling. Other reviewers noted Jaafar Jackson’s remarkable resemblance to his uncle and his ability to embody the role, with many suggesting that his performance may be the film’s saving grace.

In stark contrast, Kevin Maher of the *Times* warned that *Michael* would be remembered as a “watershed moment” for the biopic genre, but not for good reasons. He labelled it as an unhinged portrayal devoid of reality, a sentiment echoed by several other critics who found it lacking in substance.

Why it Matters

The release of *Michael* raises significant questions about the portrayal of complex figures in biographical films. By sidestepping uncomfortable truths, the film risks perpetuating a sanitized narrative that not only misrepresents its subject but also undermines the real-life implications of the issues it chooses to ignore. In an era where accountability and transparency are increasingly demanded, the film’s approach serves as a reminder of the fine line between celebrating artistic legacies and confronting the darker realities that often accompany them. As society continues to grapple with the legacies of its cultural icons, the need for honest and nuanced storytelling has never been more pressing.

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Zoe Martinez is an arts correspondent covering theatre, visual arts, literature, and cultural institutions. With a degree in Art History from the Courtauld Institute and previous experience as arts editor at Time Out London, she brings critical insight and cultural expertise to her reporting. She is particularly known for her coverage of museum politics and arts funding debates.
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