Dawn Airey Takes the Helm at Arts Council England: A New Era for the Arts

Zoe Martinez, Arts Correspondent
5 Min Read
⏱️ 3 min read

Dawn Airey, a seasoned figure in the media and creative sectors, has been appointed as the new chair of Arts Council England, commencing her four-year term on 1 August 2026. Airey succeeds Sir Nicholas Serota, who has led the organisation for nearly a decade and will step down at the end of July. With a wealth of experience across various platforms, Airey’s appointment comes at a pivotal moment for the arts in the UK, where accessibility and innovation are more crucial than ever.

A Proven Track Record in the Arts

Dawn Airey brings over 30 years of industry experience to her new role. She has previously held significant positions such as chief executive of Channel 5 and managing director at both Sky and ITV. Her leadership in the creative space extends to her recent chairmanship of the National Youth Theatre and Digital Theatre+, alongside her involvement with the Barclays FA Women’s Super League.

In her response to her appointment, Airey expressed her excitement and humility at taking over from Sir Nicholas Serota, praising his courageous leadership. “The importance of the Arts Council in championing art and culture has never been more needed,” she stated, emphasising the essential role that creativity plays in society. She underscored the need for the Arts Council to support and nurture the arts transparently and equitably as it embarks on a new mandate following a recent independent review.

Support for the Arts Community

Culture Secretary Lisa Nandy heralded Airey’s arrival as chair, expressing her enthusiasm for the new leader. “Dawn brings more than just a wide range of experience across broadcasting, theatre and the wider arts – she brings a passion for what the arts can do for this country and all the people in it,” Nandy said. Her sentiments were echoed by Darren Henley, chief executive of Arts Council England, who praised Sir Nicholas for his leadership during tumultuous times and expressed confidence in Airey’s ability to propel the organisation forward.

Support for the Arts Community

Sir Nicholas reflected on his tenure, calling it a “great honour” and acknowledging the challenges faced, including a global pandemic and economic uncertainties. He noted the resilience and creativity of the sector, wishing Airey success in her new position.

The Future of Arts Council England

Airey’s vision for the Arts Council is rooted in inclusivity and accessibility. She stated her intent to ensure that artistic excellence is available to everyone, regardless of their background. “In a world dominated by technology and automation, human connection, experience, imagination, and creativity are the things that bring us together,” she remarked, highlighting the Arts Council’s imperative to foster a vibrant cultural landscape across the nation.

With her extensive background and a clear agenda, Airey is poised to navigate the Arts Council through a landscape that is increasingly shaped by both challenges and opportunities. As the organisation prepares for this new chapter, her leadership will be crucial in advocating for artists, arts organisations, museums, and libraries, ensuring that the arts continue to thrive in England.

Why it Matters

Dawn Airey’s appointment as chair of Arts Council England signals a transformative period for the arts in the UK. The creative sector is at a crossroads, grappling with the repercussions of the pandemic, funding cuts, and shifting societal norms. Airey’s commitment to accessibility and equity in the arts is vital; it ensures that culture remains a cornerstone of communal life, fostering creativity and connection amidst a rapidly changing world. Her leadership could very well shape the future of the arts, making them more inclusive and representative of the diverse tapestry of the nation.

Why it Matters
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Zoe Martinez is an arts correspondent covering theatre, visual arts, literature, and cultural institutions. With a degree in Art History from the Courtauld Institute and previous experience as arts editor at Time Out London, she brings critical insight and cultural expertise to her reporting. She is particularly known for her coverage of museum politics and arts funding debates.
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